Word: bringing
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Dates: during 1990-1999
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...Bring home a Latina woman," his parents...
...enough about names. Let's talk about the new record. Your first album, Pushing the Salmonella Envelope, had a very raw, in-your-face sound to it. Your new album, Bring Your Own Stereo, sounds much more produced and neatly crafted. Was this a conscience choice or just an evolution in your sound...
...were just trying to record the songs like we play them live. We lumped all of our hard stuff together, and we really didn't want to do a whole lot of producing--we wanted to avoid that overproduced sound. Above all, we didn't want to have Bring Your Own Stereo sound exactly like the last record. Listening to a record and going to a live show are completely different venues and ways of hearing music. We wanted for the album to be a different experience than the live show-show our fans different sides of the band...
...Some of the songs have been around--some more recent. "30 Days" was written three years ago, but I never thought that it would ever make it onto one of our albums. But the guys liked it and thought it would fit well on Bring Your Own Stereo. But a lot of the songs are new. For the first time, we actually had a practice space, so we got together and played all the time. Four of the songs were written together as a band...they really just came together while we played. I don't know if we were...
Rozema's adaptation centers around her attempt to bring Jane Austen herself into the story through the character of Fanny Price (Frances O'Connor), our heroine. Rescued as a girl from her family's poverty by a wealthy uncle, Fanny moves to Mansfield Park, where she lives as a quasi-servant--constantly aware of her secondary status--for the duration of the story. In the novel, Fanny is quaintly moral, and pretty much chock-full of sugar and spice and everything nice. But Rozema has taken Fanny to new heights by giving her a boldness and sauciness which the director...