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...horn-handed engineer who has a word of Art Shay advice for every faltering firm: "You must compete in areas where you are prepared to compete." With this credo, Harold Eugene Churchill, 56, climbed to the presidency of Studebaker-Packard Corp. and led the company back from the brink of bankruptcy. Unlike other auto chief executives, Churchill does not compete as a supersalesman or financial whiz. He came up as an oldtime, dirty-fingernail mechanic, who still loves to tinker under an open hood. Realizing that S.P. could not battle model-for-model against the Big Three...

Author: /time Magazine | Title: Business: Man on a Lark | 8/10/1959 | See Source »

Beulah Goren did Giovanni's wife, Luisa, somewhat nuttier than necessary, it seemed to me; one should be able to identify strongly with Luisa as a woman whose horror at the senselessness of her son's death has driven her near the brink of insanity--Miss Goren seemed to have tottered over long ago, however, and was therefore merely grotesque. John Kennedy's Tomaso needs to come alive, Carroll Britch's Nicola to die down...

Author: By John E. Mcnees, | Title: The Burnt Flower-Bed | 7/30/1959 | See Source »

...medium: the trio for piano, violin, and 'cello (played, respectively, on this occasion by Bruce Simonds. Robert Brink, and Karl Zeise). The two works: Beethoven's Trio in B-Flat Major ("Archduke"), Op. 97, and Brahms' Trio in B Major, Op. 8--though Brahms' two later contributions to the medium press them hard...

Author: By Caldwell Titcomb, | Title: Hamden Trio's Beethoven, Brahms Constitute Excellent Music-Making | 7/16/1959 | See Source »

...Zeise drew from his 'cello a tone that was beautiful indeed and unusually even throughout the whole range. Mr. Brink proved himself to be an obviously fine musician, but not quite in the same class with his two companions; he had occasional insecurity of intonation...

Author: By Caldwell Titcomb, | Title: Hamden Trio's Beethoven, Brahms Constitute Excellent Music-Making | 7/16/1959 | See Source »

...taken by young boys. Miss McKenna is able to convey a zestful boyishness without ever losing her innate womanliness. And more than any one else in the cast, she pays attention to the poetic qualities of the text (though on opening night she sometimes lowered her voice to the brink of inaudibility...

Author: By Caldwell Titcomb, | Title: Twelfth Night | 7/16/1959 | See Source »

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