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...Talk. The brisk and blunt Litchfield, 51, came to Pitt ten years ago, after serving as an aide to General Lucius Clay in postwar Germany and as dean of the graduate school of business and public administration at Cornell. His selection was engineered by the late Alan Magee Scaife, millionaire industrialist, president of the Pitt Board of Trustees and brother-in-law of Financier Richard King Mellon. Scaife died...

Author: /time Magazine | Title: Education: Pitt's Juggler Fumbles | 7/2/1965 | See Source »

BRUCKNER: FOURTH SYMPHONY (Angel). Otto Klemperer's approach to Bruckner's "Romantic" symphony is majestic but brisk, brassy and free of the tedious, otherworldly vapors that sometimes surround the innocent mystic's lengthy work. This is one of six recordings with London's Philharmonia Orchestra (including symphonies by Stravinsky, Dvorak and Mozart) that celebrate Klemperer's 80th birthday...

Author: /time Magazine | Title: Television: Jun. 18, 1965 | 6/18/1965 | See Source »

...frontier town on the way West. By the time the New York Central came in 1858, it was one of the rip-roaringest burgs in the U.S. Floozies and fakes, barkers and con men made the Niagara the rube's Rubicon. "Indian chiefs"-chiefly from Ireland-plied a brisk trade in white pebbles, which they hawked as "congealed Niagara spray." The cries of "hackmen, photographers and vendors of gimcracks," wrote a horrified Henry James, "at times drown out the thunder of the cataract...

Author: /time Magazine | Title: Resorts: Let's Go Again to Niagara | 6/18/1965 | See Source »

...plush importance of the Loeb, with its cushioned seats instead of the wooden dining hall chairs, John Lithgow's freewheeling staging seems more careful and reserved. He has polished off his actors' rough spots and kept up a smooth and brisk pace, letting his fine performers show off without overshadowing the weaker ones...

Author: By Gregory P. Pressman, | Title: The Beggar's Opera | 6/14/1965 | See Source »

...existentialist sculpture, Giacometti's work would be old hat. But, as Manhattan's Museum of Modern Art opens a retrospective of 140 works this week and London's Tate Gallery prepares another exhibition for July, Giacometti seems less tormented than an observer of a disjointed, brisk and familiar world. It is a world that, for all its grotesque attenuation, testifies to a robust, humanistic vision. The pessimism of a previous era, which colored his art grey, may no longer apply...

Author: /time Magazine | Title: Sculpture: Carving the Fat Off Space | 6/11/1965 | See Source »

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