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...spot him coming down the street from the subway station. He wears a coat and tie, and a small fedora is perched on his head. He has a newspaper tucked under his arm. His overcoat is unbuttoned, and it flaps at his sides as he approaches with a brisk, toes-out stride. He is whistling and stops to greet the druggist, the baker, our building super, almost everybody he passes. To some kids on the block he is a faintly comical figure. Not to me. This jaunty, confident little man is Luther Powell, my father...

Author: /time Magazine | Title: MY AMERICAN JOURNEY: Colin Powell | 9/18/1995 | See Source »

Chick-fill-A opened on the first day of summer school, and business was brisk almost from the start, said Michael P. Berry, director of Harvard Dining Services...

Author: By Valerie J. Macmillan, | Title: Administrators Are Applauding Success of Chick-fil-A Franchise | 9/13/1995 | See Source »

Chick-fil-A opened on the first day of summer school, and business has been brisk, said Michael P. Berry, director of Harvard Dining Services...

Author: By Valerie J. Macmillan, | Title: Officials Hail Chick-fil-A's Success | 7/11/1995 | See Source »

...Valley of the Kings, in which Tomb 5 is located, is just across the Nile River from Luxor, Egypt. It's never exactly been off the beaten track. Tourism has been brisk in the valley for millenniums: graffiti scrawled on tomb walls proves that Greek and Roman travelers stopped here to gaze at the wall paintings and hieroglyphics that were already old long before the birth of Christ. Archaeologists have been coming as well, for centuries at least. Napoleon brought his own team of excavators when he invaded in 1798, and a series of expeditions in the 19th and early...

Author: /time Magazine | Title: EGYPT: SECRETS OF THE LOST TOMB | 5/29/1995 | See Source »

...supported by a solid, gimmick-free production. The cast and its director, Jonathan Kent, have chosen to play things straight. There are no clashing incongruities of costume or accent, no radical deletions or insertions. Sets are appropriately dark and stark. The pace is brisk, sometimes to the point where speeches seem dashed off -- less expounded than expelled. But the rapidity mostly works. Hamlet's "To be or not to be ." soliloquy comes in at a hurtling but affecting clip; Fiennes seems less concerned with weighing alternatives than with feverishly fending off suicide. He makes an athletic-looking prince...

Author: /time Magazine | Title: HELLO, SWEET PRINCE | 5/15/1995 | See Source »

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