Word: brisson
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Norman D. Blotner '40, Beverly; Jacob Bornstein '38, Chelsea; John Briggs, 3d '38, Cambridge; Norman H. Brisson '39, Brookline; Harold Brown '39, Dorchester; Joseph J. Buckley '39, Somerville; Theodore F. Bullen, Jr. '40, Melrose; Robert M. Bunker '39, W. Roxbury; Robert L. Calvert '39, Cambridge; John J. Carchia '39, Cambridge; William L. Claff '39, Malden; Edwin R. Clarke '39, Dedham; Albert Cohen '38, Cambridge; Albort Cohen '39, Roxbury; John G. Conley '38, Winthrop...
...Melody (book & lyrics by Otto Harbach; music by Sigmund Romberg; Kirkland & Grisman, producers) is a spavined specimen of that old theatrical wheelhorse, the operetta. Laid in a complicated Balkan kingdom, it tries to be sentimental, succeeds only in being arch. It contains a surprise, Comedienne Ruth Weston singing. Carl Brisson, a large, broad-faced Dane who was once a pugilist, accomplishes both song and dance, has such fidgety legs that he seems to be dancing even when he is not supposed to. Brightest spots are the singing of such amiable Romberg tunes as "No Use Pretending" and "Blame...
Those selected to speak are Jack D. Andrews, Claudius J. Byrne, Lawrence F. Ebb, Rendiga T. Fols, Donald McDonald, and Morgan O. Preston. Alternates will be Robert Boan, Norman H. Brisson, Robert Coquillette and Harry M. Shooshan...
Those who were selected to compose the three teams are: Boston College, Jack D. Andrews, Rendigs T. Fels and J. Spence Harvin; Exeter, Robert Bean, Caleb Foote and Richard Witkin; M.I.T., Norman H. Brisson, Harold L. R. Stubbs and George S. Viereck...
...King's Horses (Paramount). This is designed for people who like uniforms and double-identity scenes and even more for those who like Carl Brisson. He plays both leading roles-King Rudolph, a monarch who leaves his throne to see life, and Carlo Rocco, an actor who substitutes for the King. There are many scenes where Brisson sings to himself, argues, drinks and laughs with himself, filling the screen in all directions with the manly Brisson dimples but managing more than in his earlier pictures to tone down the Brisson mannerisms. A situation develops well toward the middle...