Word: brit
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...work as comedy--in order for each mistaken identity and preposterous coincidence to work, and in order for Wilde's infamous epigrams to strike the proper chord--actors' timing and enunciation must be absolutely flawless. This is where the mannered performances come in. Instead of being annoying, the pseudo-Brit accents tighten the dialogue and actually make each word shimmer...
...LILAC TIME: THE LILAC TIME (Mercury). Bouncy, folk-tinged Brit pop, with jagged political subtext. Return to Yesterday has the jubilant rhythm and incidental melancholy of prime Simon and Garfunkel...
...LILAC TIME: THE LILAC TIME (Mercury). Bouncy, folk-tinged Brit pop, with jagged political subtext. Return to Yesterday has the jubilant rhythm and incidental melancholy of prime Simon and Garfunkel...
...classics and explored the breakdowns of the age in cadences so memorable that he seems to have taken up a time-share ownership of Bartlett's. But T.S. Eliot was an American who found his voice in England, and in books. Chandler, by contrast, was an honorary Brit who smuggled two foreign substances into Hollywood -- irony and morality -- and so gave us an unflinchingly American voice, the kind we hear in the rainy voice-overs of our mind. Few would suggest that Chandler is a more significant literary figure than Eliot. But quality and influence are mysteriously related, and Chandler...
...Robert Maxwell is a whirling dervish whose hyperkinetic activity seems designed to distract and confuse. In seconds, he can switch from a jaunty Brit to a ruthless schoolyard bully and back again. He is said to be worth $1.4 billion. Yet despite the colossal Mont Blanc gold pen he wields | like a fat cigar, the enormously expensive Lord & Stewart suit, the butter- soft cashmere overcoat, the private jet, the helicopter, the yacht with a crew of 14, the personal chef, the Rolls-Royces, the thing Maxwell really values most is time. Whether dealing with family, managers or minions, Maxwell...