Word: britishism
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Dates: during 1990-1999
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...first stop is makeup. A short funky British woman lunges at my face with a powder brush. I instinctively recoil in horror. I don't like to share cosmetic products. I try to protest that my natural complexion is so smooth and vibrant that I don't need makeup. Spice Girl will have none of it and proceeds to plaster my countenance with blush and bacteria...
Sparklehorse is often compared to past tour-mate Radiohead, and indeed their music shares with that of the British band a pervasive mood of alienation and apathy as well as layers of sheer melodic beauty. Moreover, Linkous fiddles with synthesizers onstage almost as much as Jonny Greenwood of Radiohead does. However, the group acknowledges significant folk and country elements. This blending of styles makes for a crop of inventive songs wrapped around haunted, absorbing melodies which set Sparklehorse aside...
...there is one sour note to this production, it lies in the fact that the actors are not always well-served by the text. Director Mark Penney has chosen to use a translation by Eric Bentley; though the translation has many merits, its British-inflected dialogue sounds stilted when delivered with an American accent. Price and Carlson are particularly disadvantaged, since the awkward dialogue impairs their believability. (Karin Alexander, who speaks with a British accent, is the only cast member unaffected...
...there is one sour note to this production, it lies in the fact that the actors are not always well-served by the text. Director Mark Penney has chosen to use a translation by Eric Bentley; though the translation has many merits, its British-inflected dialogue sounds stilted when delivered with an American accent. Price and Carlson are particularly disadvantaged, since the awkward dialogue impairs their believability. (Karin Alexander, who speaks with a British accent, is the only cast member unaffected...
...doom to us hard-core Tommy connoisseurs. A crowd of actors wearing "interpretational" black costumes of various sorts--most of the men are in leather or vinyl pants, and one tall woman wears her hair in disgustingly cute pigtails--belt out the dates and settings of scenes in incomprehensible British accents. They go on to mimic war planes, perform a bad faux jitterbug that's not even in Townshend's original score and basically stand around looking useless for irritatingly long periods of time...