Word: britpop
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Dates: during 2000-2009
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...strangest trends in contemporary rock is the tendency of middle-aged bands, often well past their artistic and commercial zenith, to release eponymous albums. Pearl Jam did it in 2006 with their eighth studio release. By the time Blur released their eponymous album in 1997, their Britpop was already a dated genre. Rivers Cuomo ’99-’06, of course, seems to call every other album “Weezer”. The motives for such a move are varied: often a return to roots, as in Pearl Jam’s case...
Tricky's road to Paris started a year ago with a return home, to the hardscrabble Knowle West district of Bristol, England. That trip led to the release of his latest album, Knowle West Boy, a fusion of Britpop and hip-hop that Rolling Stone calls "Tricky's best since his 1995 debut Maxinquaye". For the 41-year-old artist, that journey home was a chance to take stock. "You can't just keep moving forward, you have to look backwards sometimes," Tricky tells TIME. Revisiting his own difficult childhood, Tricky found himself wanting to "talk for kids growing...
...cowbell have lingered. They’re less and less surreptitious. With the recent digital release of reissues by artists like Russell, the sensibilities of those early innovators are more relevant now than ever. This last fin de siècle saw the rise and fall of Britpop (Oasis, Blur) and the Post-Punk Revival/New York Rock Rennaissance (The Strokes, The Libertines). Both movements suffered from the perception of having valued nostalgia over relevancy, or even quality. When Strokes lead singer Julian Casablancas sang, “I’ve got nothing...
...first single “Once Upon a Time,” which is nestled between chiming synths and the singers’ accented English vocals. “One Hell of a Party” features a mandolin and vocals by Jarvis Cocker, the frontman of former Britpop band Pulp. The track underscores the decidedly un-boisterous nature of the album. Later, “Mayfair Song” follows with piano chords and an electronic beat slow enough that the song comes dangerously close to “easy listening.” The song is ultimately rescued...
...frustrating aspect of their sound is its insistent use of sharp rhythms. The guitar leads and accompanying, layered drumbeats are short and abrupt rather than flowing melodically. You’re not being wooed through the song as with many Britpop bands; you’re being jerked around by a lack of consistent melody. Whereas some groups can use this to their artistic favor, Field Music has produced an album that makes listening uncomfortable...