Word: brits
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...This particular pliable poultry belongs to a Broadway subgenre - which includes Encores! honorees "Du Barry Was a Lady" and "A Connecticut Yankee" - that Viertel describes as "the 'hero-hit-on-the-head-with-a-bottle' musical." The conked conqueror in "English" is a genteel Brit, Michael Bramleigh, who, after a head-bump, becomes Goto Schmidt, owner of Dresden's notorious night spot Klub "21." (Both roles are played, with an expert counterfeit of charm, by Brian d'Arcy James.) Goto and his girlfriend Gita Gobel (Emily Skinner) are forever threatened by the pompous Police Commissioner (Imus' man of a thousand...
...first and only time I was carded the entire summer. Along with a group of ten teenage Americans, I was asked to show identification, amusingly enough because they thought I was over 18. Embarrassingly, it was a teen-only night. As I sashayed among the soapy suds to Brit-pop, I couldn’t help but enjoy the blend of childhood and adulthood...
After the initial pairing as opposing counsel, the two continue to face off, eventually arriving at the central case of the movie: an acrimonious, made for MTV break-up. Parker Posey is disappointing as Serena, the fashion designer wife of hard-rockin’ Brit, Thorne Jamison (Michael Sheen) who wants a lawyer to “rip his balls off,” not necessarily metaphorically speaking. Posey seems to have forgotten that to convey independence of spirit it is not enough simply to slouch in a chair. The one contested item in the divorce is the pair?...
...James Joyce, Vladimir Lenin, and the dadaist Tristan Tzara. Each of these men is radical in his own way, and all three disagree about politics and art. The stories are linked together by the accounts of the less famous foreigner Henry Carr (also a real historical figure), a dandyish Brit, conservative in everything but his tailoring, removed from the trenches on account of a minor wound. Carr, who looks back on events from a distance of over 50 years, has a memory that is deeply riddled, resulting in many contradictory versions of unlikely events and the curious melding...
...each song, which range from reflective meditation (“I Wonder If The Snow Will Settle”) to self-deprecatory invective (“I’d Really Like to Hurt You”). The band readily admits the debt they owe to their obsessive-lover Brit forebears. “They always say our sound draws a lot from the Smiths, and I guess that’s fair. That and the Cardiacs, whom not enough people have heard of—mention them. And Talk Talk—can’t forget that...