Word: brits
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Michael Sheen has been leading a double life. The Welsh actor has built his aboveground rep impersonating glad-handing Brit public figures: Tony Blair in The Deal and The Queen, David Frost in Frost/Nixon. Simultaneously, and subterraneanly, he's also been a wolf-man: Lucian, the half-breed in the Underworld thrillers, whose first two installments, from 2003 and 2006, grossed about $200 million worldwide. It's entirely possible that no single moviegoer has seen both the smooth Sheen and the hairy Sheen - the one in the Savile Row suits and the one who's spent enough time...
...When a film is directed by a Frenchman (Patrick Tatopoulos) who's spent most of his career designing ugly creatures for movies like this and written by a stuntman (Danny McBride), you can expect it to be heavier on the action scenes than on character elucidation. The Brit cast attempts to camouflage the silliness by swanning it up, as if the Royal Shakespeare Company had gotten communally drunk and staged an impromptu production of Dracula Meets the Wolfman. Sheen tries bravely to keep a straight face, especially during his love scenes with Mitra, a TV grad (Party of Five, Gideon...
...There they were, looking great, cracking wise, the winners getting moist on camera, the losers welling up in private in the bathrooms. One Brit producer said the F word (in joy, not anger), an American director gave his winning star the finger, and The Office's Ricky Gervais provoked a collective intake of breath, rather than the laugh he was hoping for, when he said, "The trouble is, with Holocaust films there's never any gag reel on the DVDs." Virtually all the town's royalty - except, unaccountably, those two prime party animals, Jack Nicholson and George Clooney- had been...
...conveying the sheer tedium of prison life, in the sense that reading his book feels like a jail sentence. After describing the already well-documented horrors of Klong Prem Central Prison (rats, roaches, squat toilets), Botts spends his time smoking heroin and giving his fellow convicts amusing nicknames. "The Brit looked like a gravedigger with his wide stained teeth and sinister smile," he writes. "We named him the Gravedigger...
...Australia” eventually succeeds in constructing itself as an epic film, it just isn’t a very good one.The story of “Australia” is essentially a series of clichés. Lady Sarah Ashley (Nicole Kidman), an upper-class Brit, gets wrapped up in a caper when she treks to her husband’s cattle ranch Down Under on the eve of World War II only to find him dead. Powerful cattle mogul King Carney (Bryan Brown) and his villainous lackey Fletcher (David Wenham) have consolidated a monopoly on the Australian beef...