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...found soon, the St. Louis Globe-Democrat, it was the Press-Scimitar's swinish attitude toward reporters from outside. The Press-Scimitar would shove a camera in the face of a dying leukemia victim, yet when it came time for itself to perish, Editor Milton R. Britten wrote in a memo, "I don't want anybody with pompadours and gleaming teeth in our newsroom with Minicams on the last day. Nor do I want any local or nonlocal journalists on our floor." He went on to say that he did not "want to submit any of our troops...

Author: /time Magazine | Title: In Tennessee: Death of an Afternoon | 11/28/1983 | See Source »

...Weight of History. The last new opera to enter the standard repertory was Puccini's Turandot in 1926. Certain later operas have enjoyed a succès d'estime, and some (like Benjamin Britten's Peter Grimes) are even produced fairly often; but in general, the repertory of the past half-century has been a closed shop. Thus the Met has the Sisyphean task of producing and reproducing the same roster of familiar works. When the Met was young, many of today's warhorses were new; but now opera is in danger of becoming a dead...

Author: /time Magazine | Title: Music: Toward a New Golden Age | 10/24/1983 | See Source »

...Sing-Ins," in which audiences buy or bring scores to a performance and sight-read the chorus under the direction of host-provided conductors. The most unusual such event this may come at Currier House on Sunday, as concert-planners hope to include a sight-singing of Benjamin Britten's Ceremony of Carols in a performance by the Currier Singers...

Author: By Amy E. Schwartz, | Title: Choruses and Carols | 12/8/1982 | See Source »

...including those of the Spoleto Festival and of Art park, a state park for the arts in Lewiston, N.Y.; he frequently conducts at the New York City Opera. Keene is a master of the grand gesture and can make the sparks fly even in a piece as reflective as Britten's War Requiem. An exponent of new music, he led the U.S. premiere in 1981 of Philip Glass's visionary opera, Satyagraha...

Author: /time Magazine | Title: Music: Five for the Future | 4/19/1982 | See Source »

...Fantasia on a Theme by Thomas Tallis, the finest string-orchestra piece of the century, reaches back for inspiration to the English Renaissance, achieving a spiritual serenity rare in this age of anxiety. Gustav Hoist's The Planets is a superbly effective orchestral showpiece. And two of Benjamin Britten's major operas, Peter Grimes and Death in Venice, belong on any list of the most important modern music dramas...

Author: /time Magazine | Title: Music: Comeback by a Poor Relation | 11/23/1981 | See Source »

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