Word: brittens
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Dates: during 1940-1949
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...music lovers have tried hard to keep abreast of Britain's fast-moving young (35) Composer Benjamin Britten. They have seen and heard three of his operas (Paul Bunyan, Peter Grimes, The Rape of Lucretia) among other things, had three operas and a score of other works to go. Last week, Serge Koussevitzky gave his Berkshire Music Center fans a chance to catch two Britten premi...
...Crozier had freely adapted his comic libretto from Guy de Maupassant's Le Rosier de Madame Husson. A bumpkin is chosen King of the May because in the village there is no girl virtuous enough to be Queen, eventually winds up on a roaring toot. To this, Composer Britten hitched a witty, somewhat Peter and the Wolf-ish score, in which each instrument seemed to portray (or mock) a character on stage. There were other Britten trademarks: well-fitting songs and exciting ensembles. Even so, some found Albert's humor, at least in Tanglewood's production...
...Characters in a new children's opera by Britain's Benjamin Britten...
...tuxedoed and evening-gowned audience that filled little Jubilee Hall at Aldeburgh on Britain's windswept Suffolk coast last week was beginning to feel self-conscious and uncomfortable. They had just learned that they could not sit back and listen to the premiere of Benjamin Britten's sixth opera, Let's Make an Opera!; they had to take part...
...well-swept, uncluttered story of Sam, a little boy who is sold into service as a chimney sweep, then rescued by the five children of the house where he is sweeping, moved swiftly along; and Benjy Britten's simple but satisfying score, written in eight days, did not slow it down. Most popular chorus: the Night Song, in which the audience is divided, for singing purposes, into owls, herons, turtledoves and chaffinches. After they had joined gleefully in the final Coaching Song, there was nothing left to do but applaud themselves and the opera's makers. Curly-haired...