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BERTOLUCCI REMOVED the psychological insight from Dostoevsky's story, using an actor whose face reveals nothing and attempting a political statement contrary to his romantic nature. This has been a major problem in Bertolucci's other adaptations. Before the Revolution (1963) covered over Stendahl's psychological crystallization with broadbrush, romantic camerawork. The Spider's Stratagem (1969) lengthened a tightly constructed story by Borges to the breaking point. These films, in varying degree, destroyed what was good in their sources without adding anything else. Partner, in particular, which obliterates its source with such effectiveness--and to such little artistic effect--contrasts...

Author: By Richard Shepro, | Title: A Sense of Death | 2/21/1974 | See Source »

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