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Kevorkian taunted the prosecution into arresting him for Youk's death. "Do you have to dust for fingerprints?" he said on 60 Minutes. Even so, prosecutors waited until they had viewed the unedited video of Youk's death (not just the excerpts that 60 Minutes broadcast) before deciding to bring charges. Kevorkian, who at times smiled giddily at his arraignment, was released on a personal bond until the trial, which could take place in the spring. If the facts are as they appear in the video, Kevorkian could put together a fairly compelling case. He can invoke Youk's enfeebled...
PONTIAC, Mich.: It looks as if Sunday's "60 Minutes" broadcast was a double suicide after all. After going to the videotape, Oakland County prosecutor David Gorcyca announced Wednesday that he is charging Dr. Jack Kevorkian with first-degree premeditated murder (as well as criminal assistance to a suicide and delivery of a controlled substance) for his role in the death of Thomas Youk. Kevorkian has walked on murder charges twice before because the states in which the deaths took place had no law against assisted suicide. But on that score, Michigan was ready for him by three weeks...
...possible snag is that Kevorkian's face was not actually shown on the broadcast -- but then again, the good doctor isn't exactly marshaling his legal forces for a vigorous defense. Kevorkian's lawyer, David Gorosh, said today that his client has fired him and wants Wayne State University law professor Robert Sedler to provide legal advice. But just from the sidelines -- Kevorkian wants to represent himself in court. And he's promised that if convicted, he'll starve himself to death in prison. Without anyone else's help...
...packed Piper Auditorium last Thursday. Famous for his work in such major spaces as Houston's Menil Collection, Osaka's Kansai Airport and Paris's Centre Georges Pompidou, Piano's speech attracted so large a crowd that not only was the auditorium packed, but even the secondary broadcast room was standing-room only. People had to be turned away in droves. Perhaps the situation called for an architect...
Despite the cramped conditions and the technical flaws of the secondary broadcast, the Italian architect's one-and-a-half-hour speech went over well with the audience. Introduced as the "romantic architect," to contrast with Meier's classical leanings, Piano lived up to his billing by choosing to speak about his concern for "lightness" and fluidity. Although he did not mention his forthcoming plans for the Harvard museums, and instead spoke only about other recently opened projects, the palpable sense of excitement at architecture's possibilities demonstrated that Harvard's own museums are in good hands...