Word: broadness
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Dates: during 1970-1979
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...says the group includes blue-collar workers, environmentalists, citizens concerned with the high cost of energy, disgruntled shareholders, and anti-nuke people spread out across the six states in which the American Electric Power Company operates power plants. The coalition is "a broad based group with a common concern for the direction of the utility's development," Austin adds...
...selling Government securities through its so-called Open Market Desk at the New York Federal Reserve Bank. When the bank buys the securities, it pumps money into the economy; when it sells them, money is drawn out, and interest rates rise. The Fed is now saying that, within broad limits, interest rates can go where they will because the bank will instead be concentrating on cutting down the supply of money directly...
...director schooled in the stylistic demands of black humor might have coaxed a few laughs from the material. Director Norman Jewison (Rollerball, F.I.S.T.) is not that man. His movie's helter-skelter tone swivels irrationally and usually heads straight for a dead end. Mad scenes, broad comic bits and mournful monologues are so indiscriminately mixed that the audience often does not know how to respond. At one point the movie comes to a halt so that we can go on a supposedly comic helicopter ride. There are also pointless interludes in which the hero visits his humorless grandfather...
...with Hanna Schygulla's finely shaded and often sensuous portrayal of the protagonist. The trouble stems from Fassbinder's belief that Maria can serve as a damning metaphor for modern Germany's Economic Miracle. Since his style expresses complex emotions and ambiguous political history in broad theatrical gestures, he never makes his case. Eventually the strain between form and content becomes irritating. The final shot is a portrait of Chancellor Helmut Schmidt, who is thus equated with the film's opening image of Hitler. No sale. If Fassbinder wants to take such dangerous stands, he will...
...which subject he is distressingly garrulous, and not exactly Wildean in expressing himself. A digression into homosexuality is well-meaning, but somehow patronizing and out of tone with the rest of the film. A bedtime discussion between Moore and Andrews about just what he means by the term "broad" establishes Edwards' credentials as a feminist, but does not contribute much to the gaiety of nations. There are some boozy barroom dissertations that are every bit as entertaining on film as they are in real life...