Word: broadway
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Dates: during 1940-1949
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...orchestra in 1939, when he won a Curtis Institute conducting fellowship with Fritz Reiner. In 1944 he was discharged from two years of Army service, during which he had led a dance band, the Jive Bombers. In the next year he wrote the music for a successful Broadway show, Dark of the Moon, and went to work as assistant conductor of the New York Philharmonic-Symphony. Impressed by his work in New York, the trustees of the Dallas orchestra offered him their conductorship...
...Britten's opera, Peter Grimes, Bela Bartok's Concerto for Orchestra, Darius Milhaud's Symphony No. 2, Aaron Copland's Symphony No. 3, Arnold Schoenberg's Survivor from Warsaw, Ode, by Igor Stravinsky, Marc Blitzstein's opera, Regina, which last week closed a Broadway run of 56 performances...
...Respect. The professional sheen is applied by a cherubic-looking producer named Worthington Miner, 49, who came to television ten years ago with a directorial credit list of Broadway hits (Five Star Final, Reunion in Vienna, On Your Toes). Borrowing liberally from stage & screen (he also did a stint with RKO in Hollywood), "Tony" Miner has pioneered in TV with such effective techniques as the use of recordings for unspoken thoughts; the blending of film and live acting, and the combination of close-ups and long shots to get depth on the screen. His fondness for last-minute technical tinkering...
Ever since 1776, when Manhattan's first reservoir was built on lower Broadway and pipes made of hollow logs were laid in the streets, New York City has been trying to keep ahead of its thirst. At first it was a simple process; though the population jumped from 22,000 to 60,000 in the 25 years after the Revolution, many of the newcomers simply dug their own wells. But as the city mushroomed into a monstrous mechanism of steel, stone and subterranean conduits, it became helplessly dependent on the surrounding country...
...movie by an actor with a rubbery accent, bouncing jowls and a giggle. Most of the real Fisher has been filtered by Hollywood into the Stevens' character: his pugnacious salesmanship and his talent for such song titles as There's a Broken Heart for Every Light on Broadway and Come Josephine in my Flying Machine. In all, Fisher wrote or published a thousand tunes, but he had no connection with the song called Oh, You Beautiful Doll...