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Word: broadway (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Albeniz to Zandonai whose works are heard in New York every season in dozens of little halls and auditoriums far from Carnegie Hall and the Met. There out-of-the-way music groups, both amateur and professional, are giving Manhattan the kind of musical excitement that the booming off-Broadway theater has brought to its stage. See Music, Far From Mid-Manhattan...

Author: /time Magazine | Title: A Letter From The Publisher, Mar. 11, 1957 | 3/11/1957 | See Source »

...wood-lined, acoustically outstanding Grace Rainey Rogers Auditorium at the Metropolitan Museum on upper Fifth Avenue, which after three years rivals Town Hall as the city's leading recital hall. Taken all together, New York's out-of-the-way music-comparable to the busy off-Broadway theater-keeps the city astir with the ferment of new musical ideas. Some of the unusual and relatively new groups at work in Manhattan this season...

Author: /time Magazine | Title: Music: Far from Mid-Manhattan | 3/11/1957 | See Source »

...staged sprightly productions of such new works as British Composer Gerald Cockshott's Apollo and Persephone, Marc Blitzstein's Triple Sec. The troupe scored a critical success in an appearance at Edinburgh last year (TIME, Sept. 10), is currently preparing to open at Manhattan's off-Broadway Phoenix Theatre with the first U.S. performance of Offenbach's 66, a 40-minute spoof of Austrians and lotteries...

Author: /time Magazine | Title: Music: Far from Mid-Manhattan | 3/11/1957 | See Source »

Ziegfeld Follies can be thanked for bringing Beatrice Lillie, after four years, back to Broadway. Unhappily, it has brought nothing of its fabled oldtime self back. Not only is Rome not rebuilt in a day; not only do styles in architecture change-even showgirl architecture-but there is the always irreducible need of using good bricks and mortar...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, Mar. 11, 1957 | 3/11/1957 | See Source »

Aided by a witty script adapted from the Broadway play, the small cast carries off the film with a light touch and rapid pace, yet with a certain feel for real situations and natural reactions. David Niven is marvelously and hilariously restrained as the psychoanalyst who is not quite so tolerant of human inconsistencies when he discovers that his own fiancee has had a very interesting past. Barbara Rush plays his slightly tarnished True Love with typical feminine capriciousness. Ginger Rogers is very funny indeed as the wife who regularly pours out her troubles to her psychoanalyst...

Author: By Gerald E. Bunker, | Title: O Men, O Women | 3/5/1957 | See Source »

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