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Word: broadway (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Irving Hoffman, Broadway columnist, caricaturist and character, once told him he looked as though he had slept well. Berlin frowned. "I did," he answered, "but I dreamed I didn...

Author: /time Magazine | Title: Personality, Apr. 28, 1952 | 4/28/1952 | See Source »

Revived on Broadway for a two-week brushup before opening at Paris' international Exposition of the Arts next month, Four Saints got a brilliant production, with Composer-Critic Thomson himself conducting. Like some abstract paintings, it was pretty to look at-and in this case agreeable to listen to-even though it made no sense...

Author: /time Magazine | Title: Music: Old Pigeons | 4/28/1952 | See Source »

...almost completely preoccupied with sin, virginity, and mariage. Easily a dozen books, for example, bear titles including the word "sin." Some of these are "Born to Sin." "Sin is Man's Twin," and "The Constant Sinner." Sundry types of virgins are considered, including "13 Carat Virgin," "Professional Virgin," and "Broadway Virgin." The stacks are studded with gaudily colored volumes which sport such appealing names as "Roue the 4th." "No Bed of Her Own," "Naked Glory," "Bare Living," and "Bedroom Eyes...

Author: By Ronald P. Kriss, | Title: Widener 'Inferno' Guards Choice Collection of Erotica, Miscellany | 4/25/1952 | See Source »

Aida has had her face lifted. The stunning new decor and costumes by Rolf Gerard, and the dramatic staging of Margaret Webster demonstrate that Broadway techniques can effectively be applied to grand opera. The height of voluptuousness came in the first scene of Act Two. Blanche Thebom may not be the world's most beautiful Amneris, but when I saw her lounging on her divan being fanned and bathed by dozens of slaves, I couldn't help wondering why Radames chose the rotund Aida instead...

Author: NO WRITER ATTRIBUTED | Title: Metropolitan Opera | 4/24/1952 | See Source »

Hollywood and Broadway have long suspected that brilliant Stage & Screen Director Elia Kazan (Death of a Salesman, A Streetcar Named Desire) had once been a Communist, along with some other members of New York's now defunct pink-arty Group Theater. The professional martyr-makers were, as always, ready to cry persecution. But last January, in a secret session of the House Un-American Activities Committee, Kazan admitted that he had in fact been a party member for 18 months from 1934 to 1936. In that confession-no word of which reached the public-Kazan stubbornly refused to name...

Author: /time Magazine | Title: Cinema: Kazan Talks | 4/21/1952 | See Source »

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