Word: broadway
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Dates: during 1950-1959
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...Perky Warren? To last week's off-Broadway audience he was only a nice old Canadian eccentric who likes people, but Toronto's Bay Street financiers know him as the 62-year-old onetime president of Gutta Percha & Rubber, Ltd., a latex prince descended from some of the red, white and bluest blood in North America; e.g., Priscilla Mullins' John Alden, Connecticut's Revolutionary Governor Jonathan Trumbull. At home in Toronto, his closest companions are his 13-year-old beagle Tobey and his solicitors, Ricketts, Farley & Lowndes...
...firm drew up a contract between Perky and the show's producers giving their man the right to play the piano, to address the audience, and not to be referred to by flacks as a "millionaire" or even "rich" (nonetheless, he is wealthy). Since Jane is off Broadway, the playhouse's 175 seats were his for only $300. One extra: Perky, whose father was Princeton 1881, slipped Actor Monroe Arnold a ten-spot to change the target of a snide remark from Old Nassau to Yale...
Just before the final curtain at a Broadway opening one night last week, the theater critic of the New York Times, a mild, slender, unassuming man with steel-rimmed spectacles and a grey mustache, slipped inconspicuously out of the Lyceum Theater and walked two blocks back to his paper. He settled into his chair on the third floor of the Times building on 43rd Street, and following the practice of years, spread out the theater program, a dozen freshly pointed pencils and a legal-size pad of lined paper. Then, writing by hand, one paragraph at a time-each snatched...
...Free Tickets. On nights when a Broadway production is baptized, none of the New York critics speaks with more effect than Justin Brooks Atkinson, 65. Part of his effect stems from the fact that he is the Times critic and part from his own reputation built through the years. "Half our lives,'' says Broadway Producer David Merrick (Fanny, La Plume de Ma Tante), "depend on a good review from Atkinson." Says Producer Alfred de Liagre Jr. (J.B.): "In terms of influence, Brooks is worth any four of the other critics." These awed testimonials...
Once interested, Harvardman ('17) Atkinson fixed his sights on an aisle seat in New York. Getting there involved five years of apprenticeship on two Massachusetts papers and a brief digression as English instructor at Dartmouth. By 1922 he was within strolling distance of Broadway, editing the Sunday book section of the Times; and three years later, when the Times's Drama Critic Stark Young resigned, Atkinson took Young's place...