Word: broadway
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Dates: during 1960-1969
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More than one New York producer is dickering to bring the Hailey play to Broadway. In the future, the quickest way for a young playwright to come East may be to go West...
...Broadway...
...Beautiful People made the opening-night party for a Broadway gobbler called The 90 Day Mistress, but there was a pretty good assortment of Not-Too-Homelies: Tony Perkins, Joan Fontaine, Charlotte Ford Niarchos, Tallulah Bankhead, Gore Vidal and Joan Bennett, all of them crushed into a Manhattan nightclub no larger than an orgone box. Best job of capturing the jaded eye was turned in by Angela Lansbury, 42, Broadway's ever-eccentric Mame, who was clad in an all but invisible microskirt. Angela's big news was that she had just turned down a movie role...
...antidote to Broadway's bruising hit-or-flop economy is the regional theaters' desire to nurture new plays and playwrights. Up to now they have been pretty timid about it. The tendency is to cater to the subscribers' varied tastes by dividing a season between classics, proven Broadway hits of recent vintage, and such fashionable avantgardists as lonesco, Beckett, Pinter and the ubiquitous Brecht. More ambitious than most, Los Angeles' Mark Taper Forum is genuinely trying to offer original plays. One such experiment, Oliver Hailey's Who's Happy Now?, opened last week...
...meat cleaver of sudden death on Broadway hit Oliver Hailey in 1966 when his play, First One Asleep, Whistle, a lumpy porridge of marriage and adultery, closed on its opening night. Hailey, 35, does not believe he could have survived the blow to his playwriting morale except that he had already completed Who's Happy Now?, over which he had brooded for ten years. His father had been a butcher, who frequently moved the family from one small Texas town to another-"those Panhandle towns where the main street goes on and on and on, and there...