Word: broadway
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Dates: during 1960-1969
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...This strike could last five years," growled Broadway Impresario David Merrick. 55, "and there'll be nothing left of the theater when it's over." By the second night of a strike by the Actors' Equity, Broadway was dark, and all 19 of its shows were closed. At that point, Mayor John Lindsay, an avid theater buff himself, made an entrance in answer to a union appeal, and hosted all-night negotiations at his Gracie Mansion residence. Finally, the surprise ending: settlement of the strike (terms: weekly wage increases of $15-$25, protection of U.S. actors against...
...quite get said. A supple cast that obviously loves and understands the play gives it emotive depth. As Hogan, W. B. Brydon is a raffish, truculent blend of peasant guile and blather, while Mitchell Ryan's sodden, dandyish Jim Tyrone is a tarnished peacock straight from Old Broadway. Salome Jens, with hoydenish charm, discloses the vulnerable waif inside the intimidating woman. Director Theodore Mann has sensitively staged the play in fidelity to O'Neill's intent: Moon does not brighten the sky, but mirrors itself in melancholy fragments on a swelling sea of sorrow...
...Neill's last plays, A Moon for the Misbegotten, is laid in just such a haunted house of self. It has been revived at Off-Broadway's Circle in the Square Theater in a production of attentive care. The actors' skill, however, cannot fully disguise the weaknesses of a play that contains more reverie than conflict, more dreams than drama. It is an attenuated lament for the loveless, a gentle moonlit ode to the undernourished heart. Each of the three leading characters is an emotional cripple. Phil Hogan is "misbegotten" because his spirit is as mean...
...inmates of the asylum of Charenton seem to be taking over the New York stage. This season Hair, Tom Paine and now Futz!, which opened Off-Broadway last week, have provided farcical variations on the mood and style of Marat/Sade. The moans and hisses of the patients have become a crescendo of grunts, screams and belches that resembles feeding time at the zoo. The naked backside of Marat seems to have emboldened a score of males and females to face the audience topless and bottomless, an unforeseen threat to costume designers. The writhings and stomping of Marat/Sade's insane...
...mystery lovers on both sides of the Atlantic; of a heart attack; in London. Although a versatile Shakespearean actress, the Hong Kong-born performer found her real metier as a modern villainess, won fame (and a Tony Award) for her portrayal of the calculating wife in the 1954 Broadway run of Witness for the Prosecution...