Word: broadway
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Dates: during 1960-1969
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...echoes sometimes blend into a solid chorus, credit must be divided between Director Gene Kelly and his choreographer, Michael Kidd. Ernest Lehman's script is based on the Broadway musical (which was based on Thornton Wilder's farce The Matchmaker). It is woven from a solitary yarn. Matchmaker Dolly Levi sets great store by Horace Vandergelder's feed and grain store and decides to snare him for her own. She does. Curtain. In between their coy runaround, tiny complications arise. None of them matter, but several are the premises for blithe and sumptuous dance numbers. The most...
...nose and throat of Streisand. Her musicianship remains irreproachable. But her mannerisms are so arch and calculated that one half expects to find a key implanted in her back. Still, the Widow Levi is by way of becoming a classic repertory role. Over 50 women have played her on Broadway and in road companies. The stage version is less than 300 performances away from the longest-running musical record held by My Fair Lady. It now stars Pearl Bailey, who heads an all-Negro company. Until the topless or the all-nude version comes along, a windup Dolly will have...
...drama, it is amazing how stiflingly unanimous critical opinion and acting theory have been about her. For decade after decade, there has been one Hedda, with only minor variations. This Hedda has been a malevolent vampire, a caged prisoner of boredom, a raging neurasthenic. Now, in an off-off-Broadway production by a group called the Opposites Company, there is a new Hedda Gabler, not only beautifully performed, but deeply and subtly thought through in terms that make it peculiarly relevant to the psychic and psychological states of the modern woman...
Died. Eric Portman, 66, commanding figure of British stage and screen for nearly half a century; in Cornwall, England. Broodingly handsome, Portman starred at the Old Vic as early as 1927, and during his career appeared in more than 100 British productions. Americans know him best for his Broadway roles in Separate Tables (1956), O'Neill's A Touch of the Poet (1958) and A Passage to India...
Matthau maintains the posture of a question mark and the consummate frustration of a period that longs to be an exclamation point. Goldie is a natural reactress; her timing is so canny that even her tears run amusingly. In recent years Broadway comedies have not survived translation into film. Although unpretentious, Cactus Flower succeeds on screen, thanks to two old masters-and a shiny new one-who have learned that actors get known by the comedy they keep...