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Word: broadway (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...decided not to petition the City Council to release the air rights over Broadway [Street] to construct this bridge." Director of Community Relations Jacqueline O'Neill said last week about a decision the University formally announced earlier this month...

Author: NO WRITER ATTRIBUTED | Title: Harvard Drops Plans to Build Fogg Museum Bridge Extension | 6/24/1984 | See Source »

Rauch draws words like "genius" and "supreme" from observers and recently won a $1,000 national arts award. Warner works with a wide range of Boston-area professionals and will probably direct a show off-Broadway before the year...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

...graduate notes the disturbing underside of the pervasive freedom on campus then. "Harvard assumed you were ready for freedom, whether or not you were," says Rintel, whose works include Clarence Darrow on Broadway, and the television screenplay of Gideon's Trumpet. "Harvard says, in effect, 'you do whatever you want while you're here.' And I did. I played poker every night and didn't go to class nearly enough. I drifted Advice was there only if you actively looked for it. It's easy to slip through the crack," he says. Finally after his freshman year. Rintels took time...

Author: By Richard J. Appel, | Title: 25th Reunion Group Recalls Harvard Variety | 6/5/1984 | See Source »

DIED. Peter Bull, 72, bristling, beetle-browed British character actor most memorable in Broadway's The Lady's Not for Burning and Luther and cinema's Tom Jones and Dr. Strangelove; of a heart attack; in London. Bull was known as one of the world's great arctophiles (Teddy bear lovers), owning more than 200 of the lovable furry beasts, and publishing two definitive books (Bear with Me, 1969, and Peter Bull's Book of Teddy Bears, 1976) on their history and charms...

Author: /time Magazine | Title: Milestones: Jun. 4, 1984 | 6/4/1984 | See Source »

Sellars' second error, which is almost admirable in its audacity, was to introduce Gershwin to Gorky. Fired last year as director of My One and Only, which brought Gershwin back to Broadway, Sellars apparently wanted to show how he would have directed Gershwin had he been allowed to. In fact, using only two pianos, he and Musical Director Craig Smith stage the songs with charm and style. It is a pleasure to hear little-known works like the title song along with old favorites like Fascinating Rhythm, which is affectingly sung by Marianne Tatum and a group of children...

Author: /time Magazine | Title: Theater: Gorky and Bess | 5/28/1984 | See Source »

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