Word: broadway
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Dates: during 1980-1989
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...puts it-that during the next year, the film she was making, Terms of Endearment, would win an Oscar, and so would she; that her book on spiritualism, Out on a Limb, would become a bestseller; that a revamped version of her nightclub act would score a hit on Broadway. Anything can look possible to a woman who once danced an entire ballet on a broken ankle. But that almost greedy welter of ambitions might have seemed outlandish if it had been voiced in public by an actress whose early glory had faded in bad films and a scattershot career...
...Shirley MacLaine was in New York City, and she attended festivities all day long. Her publisher, Bantam Books, celebrated the climb of Out on a Limb to the top spot on the New York Times paperback-bestsellers list. At the 1,992-seat Gershwin Theater, where Shirley MacLaine on Broadway is grossing $475,000 a week, a house record, another bash was thrown by the show's producers. They had heard the star telling an interviewer that the only thing she had never done was to ride an elephant. So when MacLaine arrived at the theater, she was caught...
...song on Broadway is an anthem of optimism, for those happy to leave the past behind. "Now." The word pulsates, over and over, to the rhythm of Marvin Hamlisch 's brassy tune. From MacLaine it reverberates to the back of the theater as a boast, a cheer and, in her mind, a Zen-like prayer to live by: let the bygone be bygone, savor the present, and allow the future to take care of itself...
...takes a special presence, and perhaps an unusual life story, to sustain a one-person show. Lena Home did it for more than a year on Broadway by describing her travails as a black actress confronting Hollywood racism. Peggy Lee closed, five nights after the opening, with her reminiscence about losing stardom and finding religion. Kaye Ballard lasted ten unprofitable weeks off-Broadway this spring with a lively yet sometimes bitter recollection of her decades-long struggle to impress her mother. Compared with them, MacLaine is at a disadvantage: she has little suffering to recall. Indeed, she says...
...production, but her father talked her into coming home to finish school. Two years later, in 1952, she moved back to Manhattan and was hired to perform in an industrial show for Servel appliances (on tour through the South, she pirouetted around an ice maker) and then for the Broadway chorus of Me and Juliet...