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Word: broadway (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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...Asian-American, but I did take great offense to Mr. Hsia's statement that "A Chorus Line is not an appropiate script for an all-Asian cast." According to whom? Just because the Broadway cast is not all-Asian, does that mean that it cannot be adapted by an all-Asian cast? A crucial element to the "Chorus line" production, which I happen to be familiar with, is dance. Is Mr. Hsia aware that, in the movie version of "A Chorus Line" the actress who was cast to play the part of "T&A" had never had any dance training...

Author: NO WRITER ATTRIBUTED | Title: No Self-Segregation | 4/4/1989 | See Source »

Initially, at least, Marcuse has found a niche on Broadway, with Heidi playing to houses roughly 90% full. Many of the reviews have been a press agent's dream. The New York Daily News's critic hailed Heidi's recent arrival on Broadway with this pronouncement: "I doubt we'll see a better play this season." The other New York papers, as is the custom, chose to let their off- Broadway reviews stand. An "enlightening portrait of her generation," declared the Times, while Newsday poured on the laudatory adjectives: "smart, compassionate, witty, courageous." There were some sharp dissents. TIME...

Author: /time Magazine | Title: WENDY WASSERSTEIN: Chronicler Of Frayed Feminism | 3/27/1989 | See Source »

...playwright does not deny that bad reviews wound. But these days, there is also a keen pride as Wasserstein views her handiwork on Broadway. "I'm normally a self-deprecating person," she says, putting it mildly. "But when I saw those women on stage in the feminist rap group, I said, 'Good for them, and good for us.' This is a play of ideas. Whether you agree or not doesn't matter...

Author: /time Magazine | Title: WENDY WASSERSTEIN: Chronicler Of Frayed Feminism | 3/27/1989 | See Source »

...days after Heidi opened on Broadway, Wendy's parents Lola and Morris Wasserstein were asked about their youngest daughter, the successful playwright. Much of the conversation sounded like a leftover scene from Isn't It Romantic. "We're very proud," said Lola, who even in her 70s takes four dance classes a day. "But there's a vacuum," added Morris, a prosperous Manhattan businessman. "Where's the children? Where's the husband?" Here Lola broke in, "Normally, I'm the one to say that. But today I'm on good behavior." A few moments later, the Wassersteins were asked...

Author: /time Magazine | Title: WENDY WASSERSTEIN: Chronicler Of Frayed Feminism | 3/27/1989 | See Source »

...1920s. For years, Lola has been the richest source of her daughter's comic material. "Do you know what my mother said to me on the opening night of Uncommon Women?" Wasserstein asks rhetorically. " 'Wendy, where did you get those shoes?' " When Isn't It Romantic was playing off-Broadway, Wasserstein's parents would stroll over to the theater and canvass the crowd. "My mother would call and say, 'Oh, what well-dressed people,' " Wasserstein recalls. "She was proud of me because someone with a long skirt went to see my play...

Author: /time Magazine | Title: WENDY WASSERSTEIN: Chronicler Of Frayed Feminism | 3/27/1989 | See Source »

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