Word: broadway
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Dates: during 1980-1989
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Salenger says she also hopes to work on the Broadway stage, but a slight problem has prevented her from auditioning...
...swank Washington hotel suite, and again for the arrivals of the four leading players, each familiar from a TV series. Alas, those are just about the final occasions for enthusiasm in the labored, preachy and mostly unfunny revival of Born Yesterday that opened on Broadway this week. When the show debuted in 1946, it made stars of Paul Douglas and Judy Holliday and cemented the reputation of playwright Garson Kanin as a wry social commentator...
Infuse a 1940s Harlem nightclub act with a Busby Berkeley film's lavish budget, elbow room and staging style, restrain the raunch and remove the racial bitterness. The result: Black and Blue, the sumptuously spectacular $5 million revue that opened last week on Broadway. If Fred and Ginger had been black and still able to live in that elegant fantasy world, their shows might have looked a lot like this: rows of tap dancers in tailcoats or scarlet evening gowns; vast sets like lacquered jewel boxes gliding across the floor and opening to reveal a kick line; a singer...
...dancing opens with a traditional tap challenge, each man showing his best stuff in turn. Savion Glover, 15, who enacted The Tap Dance Kid on Broadway in 1983, is predictably upstaged by such snowy-haired hoofers as Bunny Briggs, Lon Chaney and Ralph Brown. Glover reappears in a breakneck gymnastic number, hopping up and down stairs, while his elders return in slow, sentimental sequences to demonstrate the traditional tap presumption that less can be more. That is in contrast to the basic notion of Black and Blue, which seems to be that more is more. Yet in the understated moments...
THEATER: Harlem goes to Broadway in Black and Blue