Word: broadwayize
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Dates: during 1930-1939
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Divorced. Judith Anderson (real name, Frances Margaret Anderson), 41, Australian-born Broadway actress (Strange Interlude, Family Portrait), from Benjamin Harrison Lehman, University of California English professor and minor novelist (best-known work: Wild Marriage); in Carson City, Nev. Grounds: mental cruelty...
...Irvin Cobb which had been designed as a vehicle for Will Rogers, sold by M. G. M. to Paramount after Rogers' death, Our Leading Citizen was reshaped by Producer George Arthur not only as a vehicle for bazooka-playing Bob Burns but as a Hollywood version of Broadway's The American Way. Despite the skepticism of Hollywood leftists, cutters left intact most of its supposedly inflammatory scenes, including a pitched battle between strikers and strikebreakers bloodier than any yet seen in the newsreels, a citizens' meeting where a cynical employer (Gene Lockhart) diverts attention from...
...Morgan), a kindly, bungling old carnival seer. But the resourceful Professor has a bit of homely chicanery for each of his applicants, gives them all what they desire. No children's tale is Hollywood's Wizard of Oz. Lavish in sets, adult in humor, it is a Broadway spectacle translated into make-believe. Most of its entertainment comes from the polished work (aided by Jack Dawn's expert makeup) of seasoned Troupers Lahr, Bolger and Haley...
...Maid (Warner Bros.) is a drama of anonymous mother love, circa 1861-80, outwardly as dated and dusty as a daguerreotype. To bring Edith Wharton's old-fashioned story to life on Broadway four years ago required the highly finished services of Actresses Judith Anderson and Helen Menken, oldtime Playwright Zoë Akins. To make it live on the screen, Warner Bros, teamed their pop-eyed Bernhardt, Bette Davis, with an equally fiery filly from off the home lot, honey-haired Miriam Hopkins. The result flounces its skirts a little more boldly than the stage show but, like...
...Says he: "I am sure these small triumphs served to strengthen the muscles of my will for the long climb to poetic goals. . . ." Poet Rice's story of his climb up Parnassus has as many alibis as there were slips on its slopes. Thus his attempts eo crash Broadway with verse dramas were steady failures because of "resentment against the frequently made assertion that I was 'America's foremost poet...