Word: broadwayize
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...MainesPaine Hall1:30 p.m.Marin Marais: Music for 3 ViolsMemorial Church1:30 p.m.Chart Toppers UnpluggedCambridge Queen’s Head1:30 p.m.Brass Ensemble PerformancePhillips Brooks House1:30 p.m.Dance FestivalLowell Lecture Hall1: 45 p.m.Japanese Tea CeremonyTearoom2 p.m.The Tragedy of Hamlet: The Prince of DenmarkNew College Theatre2 p.m.Noteables: Harvard’s Broadway Beat Dudley House2 p.m.The Many Faces of the FlutePaine Hall2 p.m.Mozart Society OrchestraSanders Theatre2 p.m.Sacred A CappellaAdolphus Busch Hall2 p.m.Harvard College Chinese Music EnsembleMemorial Church2 p.m.Aikido DemonstrationScience Center C2 p.m.Tchaikovsky and BrahmsHolden Chapel2 p.m.“The Grace Project”Carpenter Center2 p.m.Irish Traditional Dance MusicPhillips Brooks House2...
...first year at Harvard that she was going to pursue a career in musical theater, and now she will be “creatively unemployed” next year, as she will move to New York City to try her luck in making it on the big stage: Broadway. Flynn has come a long way from her beginnings as an irresolute freshman, and it all started with a change of perspective: “Realizing that going to Harvard and doing theater weren’t two separate things was important, because seeing that that was a possibility made...
...portraying Julie La Verne (Lori Tishfield), the company’s original lead and Magnolia’s best friend, as a martyr who rescues Magnolia while both face terrible adversities. As director F. Wade Russo writes in his Director’s Note, the show opened on Broadway in 1927 and raised controversy in its “indictment on race relations at the time.” Russo, in effect, tends to direct much of the show’s energy on the hard odiousness of racism. What is most arresting about the Conservatory’s show...
...decline of her first studio led Oppenheimer to begin dancing at The Beat, a dance company in her hometown of Berkley, California. There, she was exposed to rhythm tap, a style that incorporates jazz rhythms developed on the city streets and that is vastly different from the more common Broadway...
...turn into the symptoms of her gradual descent into madness. One of Ayckbourn's most brilliant combinations of laughter and pain - and, happily, one of of the few plays from his great period that have not been totally ignored in the U.S.; Stockard Channing starred in a good off-Broadway production some years back...