Word: broadways
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Dates: during 1960-1969
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Relative newcomers are providing the best basics these days and usually at medium prices ranging from $75 to $300. Luba Marks, 45, a former dancer (first with the Ballet Russe de Monte Carlo in Paris, later in Broadway musicals, including Annie Get Your Gun), went into the fashion business with her husband nine years ago. In 1965, she showed a collection of pants, and they have been her hallmark ever since. Though Luba, who won a Coty Award for her designs last month, does not pretend that she invented pants, no designer has worked with them more skillfully...
Consider the plot of Tea Party, a one-acter that, along with The Basement, is being offered off-Broadway. The central figure is Sisson (David Ford), a middleaged, successful British manufacturer of bidets. A self-made man, he prizes decisiveness, precision, strength of character. A widower, he marries a genteel second wife (June Emery) and hires a miniskirted, sexually provocative secretary (Valerie French) in the same week. He invites his wife's brother (John Tillinger) into the firm. His wife becomes her brother's secretary, and the pair indulge in faintly incestuous reminiscences of days on a gracious...
...Drama School last year (TIME, Dec. 15), the play showed itself to be an anemic polemic against the war in Viet Nam, with little wit and less sting. Playwright Joseph Heller, of Catch-22 fame, has since cut and word-fiddled, but the show is basically the same on Broadway, only worse. In New Haven, the love-affair subplot was handled by Stacy Keach and Estelle Parsons. Keach looked virile and hungry, and Parsons had the amiably battered pliancy of a girl who knows she isn't getting any younger. As a result, the affair had a certain cozy...
...actors pretend to be Air Force bombardiers who flirt with the mimicry of death only to find that, one by one, they are really being killed on their outlandish make-believe bombing missions over Constantinople and Minnesota. The plot might well have been retrieved from Pirandello's wastebasket. Broadway these days is full of preachers who thunder that war is evil and that racial prejudice is hateful, but who seem not to have the slightest compunction about discrimination against good drama...
Corsaro has the broadest theatrical background of any American director now working in opera. He plays the self-doubting undertaker in the new Joanne Woodward movie, Rachel, Rachel. His play, A Piece of Blue Sky, was done on TV in 1960. On Broadway, he directed A Hatful of Rain and The Night of the Iguana. What all this experience has given him is the confidence to look at an opera as though nobody had ever staged it before...