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...such emotionally compelling roles as Martha in Edward Albee's Who's Afraid of Virginia Woolf?; frail matriarch Mary Tyrone, opposite Laurence Olivier, in the 1971 revival of Eugene O'Neill's Long Day's Journey into Night, both in London; and onetime aviator Emily Stilson in the Broadway drama Wings, for which she won a Tony...

Author: /time Magazine | Title: Milestones Dec. 12, 2005 | 12/4/2005 | See Source »

...between daytime queen OPRAH WINFREY and late-night jester DAVID LETTERMAN ended last week, somehow anything seemed possible. In 2003 Winfrey told TIME she felt "uncomfortable" on the Late Show and vowed she would never return. But after years of Letterman's on-air cajoling and with a new Broadway musical to promote, Winfrey at last relented and appeared on his show. All Letterman had to do to score the interview--and his best ratings in 11 years--was squire Winfrey across the street to the opening of The Color Purple. Maybe we can all get along...

Author: /time Magazine | Title: People: Dec. 12, 2005 | 12/4/2005 | See Source »

This spring you'll co-star with Julia Roberts in her Broadway debut. How will you welcome her to the theater? With a dozen roses and a dance belt...

Author: /time Magazine | Title: People: Dec. 12, 2005 | 12/4/2005 | See Source »

...Color Purple does bring significant numbers of blacks to Broadway, that'd be great. I had a similar hope for the Desi Indian audience when the A.R. Rahman Bollywood musical Bombay Dreams opened at the same theater early last year. Eight money-draining months later, it closed. Mind you, Bombay Dreams didn't have The Color Purple's $10 million advance, which should be enough to let this adaptation of the Alice Walker novel ride out the mostly mixed reviews it received today. Critics wanted to be respectful yet say that this mixture of melodrama and pop music was just...

Author: /time Magazine | Title: The Color Oprah | 12/2/2005 | See Source »

...once you get inside the theater, don't expect this musical to be a Grand Ole Oprah. She's not in the show; she didn't write the book (that's by Pulitzer Prize-winner Marsha Norman) or the score (by Brenda Russell, Allie Willis and Stephen Bray, all Broadway newcomers); she didn't direct (Gary Griffin did). Nor is she the producer who nourished the show through hears of false starts and rewrites; Scott Sanders deserves that credit. Oprah's job has been to promote persuasively for a musical she wants the world to love...

Author: /time Magazine | Title: The Color Oprah | 12/2/2005 | See Source »

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