Search Details

Word: broadways (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Hebrew School. “I can see what I do for the campaign having a real effect on the country. It’s more worldly. But, on the other hand, I need to take advantage of every second at school. When will I get to produce a Broadway musical again...

Author: By May Habib, CRIMSON STAFF WRITER | Title: Lieberman in 2004, Rubins in 2020? | 1/12/2004 | See Source »

FRANK RICH in the New York Times, reviewing Hines' performance in Sophisticated Ladies on Broadway...

Author: /time Magazine | Title: Farewell to Those Who Left | 12/29/2003 | See Source »

...Katharine Hepburn. The intensity of response to the passing of John Ritter, a likable actor from a campy '70s sitcom, seemed to surprise even his fans. In a culture with few common cultural referents, the past is what we share the most. (Perhaps for the same reason, 2003's Broadway shows with broad mass appeal tended to be revivals like Long Day's Journey into Night and Wonderful Town--and the music business heaved up a slew of standards albums.) When old stars pass, they take with them a piece of a time when we weren't so niched...

Author: /time Magazine | Title: The Year In Culture: Has the Mainstream Run Dry? | 12/29/2003 | See Source »

...America) and partly based on his own childhood, the show is set in Louisiana in 1963 and focuses on the relationship between a black maid and the liberal Jewish family that employs her. At a time when musicals seem to be groping for ways to move beyond campy Broadway fluff without boring an audience to tears, Caroline is a breakthrough. It's a musical in an operatic style--Jeanine Tesori's score is almost entirely sung through--but with a story so grounded in the ordinary details of life in a specific place and time that it almost seems...

Author: /time Magazine | Title: Theater: Not Just Pocket Change | 12/22/2003 | See Source »

...Broadway show--in a lovely vest-pocket production by George C. Wolfe--begins in a basement laundry room where Caroline (Tonya Pinkins) is trudging between the washing machine and the dryer to the accompaniment of a transistor radio. The blend of naturalism and lyricism is established right away: all the appliances are embodied by human beings (a Supremes-style trio, for example, provides the voice of the radio). The anthropomorphic devices don't stop there. The moon appears with an evening gown--bedecked soprano inside. The news of President Kennedy's assassination is announced by a blues-singing city...

Author: /time Magazine | Title: Theater: Not Just Pocket Change | 12/22/2003 | See Source »

Previous | 212 | 213 | 214 | 215 | 216 | 217 | 218 | 219 | 220 | 221 | 222 | 223 | 224 | 225 | 226 | 227 | 228 | 229 | 230 | 231 | 232 | Next