Word: broganã
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Dates: during 2003-2003
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25TH HOUR. Spike Lee’s latest film isn’t much of a narrative departure from his previous efforts. Money and shattered dreams rule this story of drug dealer Monty Brogan??€™s (Edward Norton) last day of freedom before his seven-year jail sentence begins. The final act packs a phenomonal punch, but its dealer-with-a-heart-of-gold premise is predictable and derivative, typical of Lee’s long-time filmic obsession with the soft side of seemingly reprehensible humanity. 25th Hour screens...
25TH HOUR. Spike Lee’s latest film isn’t much of a narrative departure from his previous efforts. Money and shattered dreams rule this story of drug dealer Monty Brogan??€™s (Edward Norton) last day of freedom before his seven-year jail sentence begins. The final act packs a phenomonal punch, but its dealer-with-a-heart-of-gold premise is predictable and derivative, typical of Lee’s long-time filmic obsession with the soft side of seemingly reprehensible humanity. 25th Hour screens...
25TH HOUR. Spike Lee’s latest film isn’t much of a narrative departure from his previous efforts. Money and shattered dreams rule this story of drug dealer Monty Brogan??€™s (Edward Norton) last day of freedom before his seven-year jail sentence begins. The final act packs a phenomonal punch, but its dealer-with-a-heart-of-gold premise is predictable and derivative, typical of Lee’s long-time filmic obsession with the soft side of seemingly reprehensible humanity. 25th Hour screens...
25TH HOUR. Spike Lee’s latest film isn’t much of a narrative departure from his previous efforts. Money and shattered dreams rule this story of drug dealer Monty Brogan??€™s (Edward Norton) last day of freedom before his seven-year jail sentence begins. The final act packs a phenomonal punch, but its dealer-with-a-heart-of-gold premise is predictable and derivative, typical of Lee’s long-time filmic obsession with the soft side of seemingly reprehensible humanity. 25th Hour screens...