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Word: brooked (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...PERSECUTION AND ASSASSINATION OF MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE. Each theater seat becomes an electric chair as Director Peter Brook and the Royal Shakespeare Company sear the senses with a high-voltage production of Peter Weiss's shocking, stunning play...

Author: /time Magazine | Title: Television: Feb. 4, 1966 | 2/4/1966 | See Source »

Directors, actors and playwrights are cross-pollinating all over the theatrical garden. Peter Brook directed Flower Drum Song, The Visit, Irma La Douce and King Lear (with Paul Scofield) in New York, and he has designed productions for Co vent Garden and the Metropolitan Opera. For the movies, he directed Olivier in Beggar's Opera, Belmondo and Moreau in Moderate Cantabile, and Lord of the Flies. The controversial Marat/Sade is also his. Robert Bolt, who wrote the screenplays for Lawrence of Arabia and Doctor Zhivago, and who wrote the play A Man for All Seasons, is now cranking...

Author: /time Magazine | Title: The Stage: The New Elizabethans | 2/4/1966 | See Source »

...Taken together, there was something missing, an ennui in the audience and on the stage itself. "Apart from revivals and imports," complained Critic Kenneth Tynan in 1954, "there is nothing in the London theater that one dares discuss with an intelligent man for five minutes." Looking back, Director Peter Brook says that "the role of the theater based on escape was finished and had to be replaced by a theater based on what...

Author: /time Magazine | Title: The Stage: The New Elizabethans | 2/4/1966 | See Source »

...PERSECUTION AND ASSASSINATION OF MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE, by Peter Weiss. Each theater seat becomes an electric chair as Director Peter Brook and the Royal Shakespeare Company sear the senses with a high-voltage production...

Author: /time Magazine | Title: On Broadway: Jan. 28, 1966 | 1/28/1966 | See Source »

...Broadway MARAT/SADE shreds the nerves, bruises the ear and hypnotizes the eye. In a display of directorial virtuosity, Peter Brook has expanded Playwright Peter Weiss's metaphor of the world as a madhouse, and the superbly disciplined Royal Shakespeare Company envelops the playgoer in an experience that is largely inspired sensationalism, but quintessentially theatrical...

Author: /time Magazine | Title: Television: Jan. 21, 1966 | 1/21/1966 | See Source »

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