Word: brooked
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Dates: during 1980-1989
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Haydn himself acknowledged that "scarcely any man can brook comparison with the great Mozart." And although he esteemed his own operas highly, he feared they might not travel well. Asked in 1787 for permission to produce one of them in Prague, Haydn replied: "I cannot comply with your wish, because all my operas are far too closely connected with our personal circle, and moreover they would not produce the proper effect, which I calculated in accordance with the locality...
...unfinished New Town Hall. He also made his homages to the landscape of symbols. The most spectacular paysage moralisé in his work was the motif for two versions of The Jewish Cemetery, circa 1655. This gloomy landscape pullulates with symbols: the broken tree over the dark brook, suggesting a bridge across the Styx; the wan rainbow; the ruins, the air of desolation, transience and decay; and the crystalline, stony geometry of the tombs. Their purity interested Goethe, who would later design an abstract memorial for himself. "Even in their ruined state," he declared, Ruisdael's monuments "point...
Willian J. Harris assistant professor of English at the State University of New York at Stony Brook said he will finish his books on the "poetry and poetics of Amiri Baraka" while working under the auspices of the Afro American Studies Department. Harris said he is "exicted" about coming to Cambridge There is "uncredible energy in that town" he added...
...Terrier defensive corps is balanced and big. Smooth junior Jerry August and soph T.J. Connolly (2-9-11) make up the top blueline duo. The "Brook-line," manned by George Klapes and 6-ft., 3-in., 196-lb. Bruce Milton (3-15-18), both natives of that Boston 'burb, forms the second pairing. The defensemen specialize in setting up B.U.'s deliberate offense and getting the puck to the forwards. "I think we move the puck out of our own zone as well as anyone," says Parker...
...review of Peter Brook's recent version of Georges Bizet's Carmen [Dec. 21] at the Bouffes de Nord in Paris collapses when it argues, "Would anyone think of touching up the Mona Lisa, redesigning St. Peter's, or editing Paradise Lost? These works already exist as painting, edifice and book; they are frozen in time. By its very nature, however, an opera (or play, for that matter) exists by reconstructing it anew from its blueprint. There is no aesthetic rule that says something cannot be left out or rearranged. The only valid criterion is: Does...