Word: brookes
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Dates: during 1960-1969
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Moderate Cantabile is a French movie made by an Englishman, Director Peter Brook (Lord of the Flies). Surprisingly, it seems an authentic French movie; unhappily, it is not a very good one. Based on a novel by Marguerite Duras, Moderate retells the sad tale of Flaubert's Emma Bovary as a contemporary case. Poor Emma. She always was a dull little dame, but in 1857 she at least made a social point...
...Brook's film as in Flaubert's book, the heroine (Jeanne Moreau) lives in a French provincial town and is married to a prosperous and proper bourgeois who is even duller than she is. She is bored, she falls in love with a younger man (Jean-Paul Belmondo), she loses him. At this point, Flaubert's heroine kills herself. Brook's heroine, alas, owes rather less to Flaubert than she does to Freud. Her drama is not a tragedy of society but a crisis of identity. "She wants to live a life, anybody's life...
Moderate Cantabile might better have been titled Adagio Funereo; it is much too long, much too lugubriously languid. On the other hand, Director Brook's musical score-he developed it himself from a sonatina by Diabelli -is sensuous and tender. And Armand Thirard's photography is almost too dreamily lovely to believe. The film was actually shot at Blaye on the River Gironde, and in Thirard's frames, the big river, the wide land, the vast sky and the quiet clouds all seem to be shimmering mysteriously in the depths of a tremendous pearl...
...Take Care of Me." Many patients, U.S.C.'s Psychiatrist Edward J. Stain-brook told the seminar, seem to be trying to say: "Nobody cares about me, so I have to take care of myself. I'd like someone to care for me in the same way that I care about myself." If the physician treats this patient's physical complaints and nothing more, said Dr. Stainbrook, he is wasting everybody's time. For the real medical truth is hid den in the patient's locked-up emotions...
Editor Gerald Fiel and Director Peter Brook apparently recognized that they could not recreate many of the undertones produced by Golding's subtle style. The film barely suggests the identification of the devil with a boar's head--the Lord of the Flies. It scarcely explores the complex character of Simon--prophet and martyr--whose murder follows his dialogue with the Lord of the Flies. But it does capture the power of both Golding's story about boys and his philosophy about...