Word: brooklyn
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Dates: during 1980-1989
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Bancroft, playing a South American aristocrat, sounds more like South Brooklyn and about as aristocratic as a hash-house waitress. Alexander ably sketches differences among the dowager's airhead sister, mean daughter and timid nurse, but, as the last, lapses into a singsong that has become her trademark shorthand for innocence. Adding to the problem, Robert Allan Ackerman's archly formal staging emphasizes ritual over a sense of place. Still, the two women establish an ever shifting power dynamic. In the last fantasy, when they embrace fondly in an imagined courtyard, their warmth and urgency enable the audience to share...
...classy 16-piece orchestra, no less, anchors the A.R.C. series, most of whose broadcasts will come from the Majestic Theater in Brooklyn, a spectacularly decayed old burlesque house belonging to the Brooklyn Academy of Music. The first broadcast detonated with a finger-snapping zum-bum-ooo-ooo singing group called True Image, headed uptown with show tunes swung elegantly by soprano Eileen Farrell, the diva who stops being 70 when she opens her mouth, then went gloriously low-down with Jelly Roll Morton tunes by pianist Butch Thompson, the fine St. Paul barrelhouser from the P.H.C. days. Flying babies filled...
...writing stories of old men trying to preserve their dignity amid the shambles of harsh circumstances. In The Literary Life of Laban Goldman, an elderly Jew attends night school to improve his English and get away from his nagging wife; he experiences a brief moment of triumph when the Brooklyn Eagle publishes his letter to the editor urging a relaxation of New York State divorce laws. The Grocery Store evokes the atmosphere in which the author, the son of a grocer, grew up in Brooklyn...
...close look at the development and practice of one of America's most talented modern filmmakers. The hour-long documentary focuses on more than the technical details of filmmaking; it is concerned with the making of a provocative film in the context of its set (filmed on location in Brooklyn) and its time...
Long before young Brooklyn-born Allen Konigsberg had sold his first joke or even dreamed of making a film, he was scouring record stores in search of New Orleans music. Woody first caught the bug at age 14, when he happened to hear a Saturday-morning radio show devoted to Bechet, one of the all-time great clarinet and soprano saxophone players. "I heard it, and it just sounded wonderful," he recalls. "It was sort of like an opening of the dike." With the facility for self-teaching that he would later demonstrate as writer and filmmaker, he laid...