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Some people watch the musical Annie and see a moppet belting out show tunes. Brooklyn-born rapper JAY-Z, whose latest release debuted last week at No. 1 on the Billboard album chart, saw something altogether grittier. "I watched the movie and was mesmerized," he says, referring to the scene in which the orphans sing Hard Knock Life. "They're too strong to let life bring them down. That's the ghetto right there." Inspired, Jay-Z sampled the song on his new album's title track, Hard Knock Life. Needless to say, the tune's original author was somewhat...

Author: /time Magazine | Title: People: Oct. 19, 1998 | 10/19/1998 | See Source »

Whether one is reading over Parody in The Simpsons: Animating the Audience through Comedy and Critique or No Next Year: Brooklyn and the Dodgers It Can't Forget, it is refreshing to know that there are exceptions to convoluted representations of fractals and statistical number-crunching so often found in senior theses. Even if not a single academic curiosity is piqued by Don't Spit in the Soup We All Have to Eat: a History of the Dudley Cooperative House, at least the dust mites will become storehouses of esoteric facts and sexual innuendo...

Author: By Eloise D. Austin, | Title: JUMPING THROUGH HOOPES | 10/15/1998 | See Source »

...Holy Man," a critically panned comedy about a televangelist, grossed $5.2 million this past weekend for one of the worst debuts in Eddie Murphy's up-and-down career. It even did worse than two previous Murphy duds: "A Vampire in Brooklyn" ($7 million in 1995) and "Metro" ($11.4 million in 1997). The film's lackluster opening was even more surprising given Eddie's recent success with "Dr. Dolittle," which has grossed $142.2 million since June...

Author: /time Magazine | Title: Eddie Murphy Flounders | 10/12/1998 | See Source »

...Nelson Mandela deserved every honor and every "special arrangement" Harvard needed to muster for him. LEE A. DANIELS '71 Brooklyn...

Author: NO WRITER ATTRIBUTED | Title: Mandela Deserves Degree | 10/6/1998 | See Source »

...more to jazz than just a catchy beat. There were whole new chords and phrases and key changes--and moods--that the rag writers hadn't even touched yet. From 1919 to 1924 these would virtually serve as Gershwin's private playground and personal gold mine, from which the Brooklyn-born son of immigrants proceeded to extract all kinds of music, including, in one glittering shovelful, not just his famous Rhapsody but also a related song called The Man I Love. This would beget almost instantly a new kind of American song, exemplified by Porter's Night...

Author: /time Magazine | Title: Music: Setting the Standards | 10/5/1998 | See Source »

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