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Word: brooklyns (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...BROOKLYN MUSEUM-Eastern Parkway. Asian art on loan from Collector Ernest Erickson, including Islamic ceramics, Indian miniatures, Nepalese, Thai and Cambodian sculpture, two pages from an 11th century Buddhist palm-leaf manuscript. Through...

Author: /time Magazine | Title: Art: Art in New York: Nov. 8, 1963 | 11/8/1963 | See Source »

Still at issue was a civil rights bill produced by an eleven-member Judiciary subcommittee chaired by Brooklyn's civil righteous Democratic Representative Emanuel Celler, who also heads the full Judiciary Committee. That bill went far beyond what the Kennedy Administration had asked-and far beyond what either the House or the Senate would accept...

Author: /time Magazine | Title: The Congress: Where Are We At Here? | 11/1/1963 | See Source »

Married. Vic Damone (real name: Vito Farinola), 35, Brooklyn-born crooner; and Judy Rawlins, 27, his secretary; both for the second time; in a Middle Eastern Bahai ceremony in Beverly Hills, followed a few hours later by a civil service in Las Vegas, because, said Damone, though the vows of the quasi-Islamic sect are binding in California, "We wanted to cover ourselves for the rest of the world...

Author: /time Magazine | Title: Milestones: Nov. 1, 1963 | 11/1/1963 | See Source »

Tangle of Doom. The fuss began over a German performance of Phaedra, Graham's "phantasmagoria of desire" (TIME, March 16, 1962), that Congresswoman Edna Kelly from Brooklyn found "distasteful." One morning's hearing in Washington was enough to establish Graham's artistic merit, and she dismissed the affair with a sharp coup de grâce: "I feel as if I had been pawed by dirty hands." But the pawing paid off. Despite a repertory program that included two newer and better works last week, it was Phaedra that drew the loudest cheers...

Author: /time Magazine | Title: Dance: Rites in the Cave of the Heart | 10/25/1963 | See Source »

...inventive play. It includes all sorts of comic devices, from the broadest of slapstick to sly, finely-timed lines. The Harvard Dramatic Club production, which opened the Loeb season last night, adds a few more touches; lavish make-up (especially emphasizing Gogol's nose fixation) and underlings with Brooklyn accents. The result is an often hilarious evening, which suffers only occasionally from tedious repetition of obvious jokes...

Author: By Steven V. Roberts, | Title: The Inspector General | 10/25/1963 | See Source »

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