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...have a suspicion," Capote said later, "that John wasn't too clear about it." Surprisingly, Beat the Devil turns out to be a sort of screwball classic. It is the first movie since On Approval−that scintillating paste-jewel of a picture with Beatrice Lillie and Clive Brook−to torture the moviegoer by making him positively ache to laugh, and then deliberately forcing him to hold it and hold it until he is ready to scream...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 8, 1954 | 3/8/1954 | See Source »

...Beggar's Opera. John Gay's 18th century English operetta is turned, by Peter Brook and Laurence Olivier, into a classic cinemusical (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Dec. 14, 1953 | 12/14/1953 | See Source »

...Beggar's Opera. John Gay's 18th century English operetta is turned, by Peter Brook and Laurence Olivier, into a classic cinemusical (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Dec. 7, 1953 | 12/7/1953 | See Source »

...Beggar's Opera. John Gay's 18th century English operetta is turned, by Peter Brook and Laurence Olivier, into a classic cinemusical (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Nov. 30, 1953 | 11/30/1953 | See Source »

...most popular shows,* it has not had its face lifted since Papa Monteux made his Met debut with it in 1917. So this year it got a $75.000 rejuvenation: new sets and costumes by Rolf Gerard, new staging by Britain's Peter Brook, and a cast of the Met's brightest stars. Director Brook listened to the music carefully, decided that its sentimental tunes and melting harmonies belonged in a French romantic setting, despite the fact that Goethe's dramatic poem was laid in 16th century Germany. The result: a period piece, but in a different period...

Author: /time Magazine | Title: Music: Faust First | 11/23/1953 | See Source »

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