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...sleek twists on tired genres: Seagal the martial-arts movie, Spy the glossy gossip rag. Both are deeply indebted to Creative Artists Agency boss Michael Ovitz, who is Seagal's movie mentor and Spy's eternal obsession. And both have sturdy Time Warner credentials: Seagal as one of Warner Bros.' most reliable moneymakers (Hard to Kill, Under Siege) and Spy as a publication founded by former TIME writers Kurt Andersen (now back at TIME as editor at large) and E. Graydon Carter...

Author: /time Magazine | Title: Seagal Under Siege | 7/5/1993 | See Source »

...Steven won't talk, on or off the record," says a Seagal spokesman. Neither will Ovitz. And Warner Bros. publicity chief Robert Friedman will say only that Seagal is "an extremely cooperative filmmaker and actor who's a pleasure to do business with." But on April 16, when Connolly was still compiling his article, the star filed a slander suit against the writer and Robert Strickland, a former Seagal friend and Connolly's main source. According to Seagal's attorney, Martin Singer, Strickland had been harassing and defaming the actor. Singer contends that Connolly, in his interviewing...

Author: /time Magazine | Title: Seagal Under Siege | 7/5/1993 | See Source »

...companies announced a $2.5 billion strategic alliance in which U S West will supply technological savvy (and an infusion of badly needed cash) in return for 25.51% of Time Warner Entertainment, one of the world's largest collections of entertainment copyrights, including the film and TV properties of Warner Bros., HBO and Lorimar. (Time Warner's music and publishing operations, which include this magazine, are not part of Time Warner Entertainment and thus are excluded from the deal...

Author: /time Magazine | Title: Building The On Ramp to the Electronic Highway | 5/31/1993 | See Source »

LABEL: WARNER BROS...

Author: /time Magazine | Title: Playing With Fire | 5/31/1993 | See Source »

...Green Papaya, a lovely Vietnamese film made in France by writer-director Tran Anh Hung, 30, and a cast of refugees; both tell bold stories of a child's coming of age. And Abel Ferrara's Hollywood horror movie Body Snatchers, saved from the slag heap of Warner Bros. rejects, revives the old parable of the Pod People with a frame-by-frame savvy that used to be unique...

Author: /time Magazine | Title: Surprise! Films Shine at Cannes | 5/31/1993 | See Source »

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