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There’s enough of both in “Lady in the Water,” the first film from the adamantly-PG-13 director M. Night Shyamalan since the recent public shipwreck of his relationship with Disney and his jump to the Warner Bros. vessel...
...some of the difficult ways," Shyamalan, 35, says. "The things that made me conventional were celebrated, and the things that made me unconventional were not celebrated. I felt a large part of me was unconventional, and I didn't want that part to die." So Shyamalan went to Warner Bros., which is releasing Lady and which, he says, "has already offered to make the next movie, sight unseen." Disney, in a statement, said it wishes the director "the best of luck with Lady and all future endeavors...
...both Broadway and the movies - not that either medium took much notice. From 1937 to 1939 she appeared in nine two-reel musicals, made in New York for 20th Century-Fox and Warner Bros. And she hoofed in the chorus of shows with scores by some pretty sharp tunesmiths: Harold Rome (Sing Out the News), Jerome Kern and Oscar Hammerstein (Very Warm for May ), Richard Rodgers and Lorenz Hart (Higher and Higher) and Cole Porter (Panama Hattie). In three of those shows she shared stage space with Vera Ellen, who would join Allyson in MGM musicals; in another she played...
...sets finding their way into more and more homes across the country. One high-def disc format must win, though it's still too early to know which. There will likely be a balanced roster of titles on each side by Christmas - HD DVD anchored by Universal and Warner Bros, with additional movies from Paramount, with Sony, Lionsgate, Fox and Disney leading the Blu-ray lineup. Paramount and Warner have pledged to make Blu-ray discs, too, but I'll wager that the two studios' respective aces, the Star Trek box set and The Matrix Trilogy, appear...
...Whiting should have told a story dating back to 1940, when Arlen and Mercer came to her home (Margaret's father was another Mercer collaborator, Richard Whiting; they wrote "Hooray for Hollywood") eager to play a song they had just composed for a Warner Bros. melodrama. From the first bars of "Blues in the Night" ("My momma done tol' me?") everybody knew the song was gold. Inexplicably, it was left off the song list...