Word: brothel
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...Murmur of the Heart." But the product is confused in its story line and unidentifiable in its ideology, all in all a pretty big let down. Shields conveys all the mischieviousness of childhood, and none of the mystery. Her mother (Susan Sarandon) strands her in their New Orleans brothel without us ever really understanding why. And although a photographer named Bellocq (David Carradine) comes to save Shields and sweep her into marriage, Carradine is never really all there. Even the cinematography, exquisite as it is, never really hangs together; unlike in his other films, Malle never really uses his colors...
...seedy brothel atmosphere that surrounds Violet is equally unexplored. How Malle will photograph the setting of the Storyville section of New Orleans is an obvious question, since the plot itself draws attention to photography. In his screenplay Malle crosses Violet's path with that of a photographer named E.J. Bellocq, an actual figure who shot a series of photographs of Storyville prostitutes in 1912. (Here he arrives to take pictures and ends up living with Violet and finally wedding her.) Malle also has an acute aesthetic sense; his other films have been very painterly in their effects and often masterful...
...cool sexual sarcasm produces a clever variation on Mae West's old routines. But in the end the bit doesn't mesh with the plot; it is precisely because of her toughness that we fail to be touched her Madame Nell goes crazy after the authorities shut down the brothel. The house's black piano player, played by Antonio Fargas and presumably modeled after Jelly roll Morton, provides the other. Yet his relation to Violet is never made clear. There are a few winking--"come over here, Violet and let me tell you about life"--scenes between...
...master's all-time achievements. This 1967 release documents the plunge of a stunning Catherine Deneuve into the abyss of masochism, highlighted by brilliantly filmed vignettes of surrealism and as bizarre plot twist, bringing Deneuve's wife of a Parisian physician (Jean Sorel) to the doors of a brothel for a job. Only his classic "Los Olivados" approaches the eeriness of the dream sequences in "Bell de Jour," and relative newcomers to Bunuel's work should mark down this Sunday's showing as a must-see. One screening will quickly dispel all doubts about Bunuel's unswaying commitment...
Bahia revolves--more or less--around the tale of two lovers. Otelia, a beautiful young girl (Mira Fonesca), comes to Bahia, a spectacularly beautiful area on the Brazilian coast, to work in a brothel. There she meets Martim (Antonio Pitanga), a handsome young member of Bahia's cheerfully disreputable fringe element. By the end of the movie, her simple adulation--she is young enough to clutch a rag doll to her--has won him over from the wiles of more sophisticated women. And so the two are married, surrounded by their friends...