Word: brothels
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...through flash cards of identity, exhibiting the fun couple nude and clothed, before, after and during the New York-based affair. Mary, it turns out, has been grooving with a married politician. John seems the sort of clumping, turtle-nosed customer who could not seduce a girl in a brothel. Such appearances, however, are deceiving; he too is a successful swinger pursued by one bird while he chases another. Not until J. & M. have known each other in the biblical sense do they know each other in the classical one. At the finale, they exchange names for the first time...
...appear; it would have been too poignant.) Outlawing has meanwhile become a depressed industry. A railroad baron hires bounty hunters to drive Butch and Sundance out of business. Butch is willing to be bought out, but not rubbed out. So there ensues a lengthy chase sequence through a brothel, across a prairie, and over a cliff. (Asks Newman, "Who are those guys?" A hilarious born loser, that Newman-if only he changed his name to Ziggy and did something about his eves...
...have nonetheless managed to acquire a hotel and are, surprisingly enough, getting on. Well, seeing Brendan Behan's The Hostage at the Loeb a few nights ago almost changed all that. Though I'm sure my second cousin's hostel cannot be half as entertaining as the brothel in which Behan's play is set (in fact, to judge from those of my relatives who came to this country, I'm sure it's not even a tiny bit as entertaining), I was nevertheless ready to leave for Ireland as soon as the play ended. Except for the fact that...
...name of Leslie (Michael Sacks), who is being held hostage by the I.R.A. of modern day Ireland in reprisal for one of their own boys scheduled to be hung in the Belfast Jail. Fortunately for the audience, the soldier is hidden in the midst of a Dublin brothel, which is supposedly so hot the officials would never even suspect it of revolutionary activity. Full of whores, queers, and their fellow eccentrics, the place is a kind of Cambridge city councillor's nightmare of what happens if you don't regulate rooming houses...
...almost makes you believe she can't sing. Don't believe it. From her first words as Meg Dillon, the caretaker's mistress, Sheila Hart is in character as a woman (Meg) relaxed and yet confident as she consciously plays ringmaster to the living theatre that is her brothel. In just a few seconds, she similarly includes the audience in her barrage of insults and confidences. Her bitter ballad near the end of the second act, where she is backed by the male members of the cast, is simultaneously heartbreaking and triumphant, and I'm sure that if I were...