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...running loose, ends as everybody's hysteria to become one. Logicians are as eager as businessmen, leftists as logicians; at the end just one fuddled clerk (attractively played by Eli Wallach) remains human. And even he vows not to capitulate only after ruefully condemning his appearance-"A smooth brow looks so ugly, I need one or two horns"-and after regretting that he hadn't joined the others "while there was still time...

Author: /time Magazine | Title: Theater: New Play on Broadway: Jan. 20, 1961 | 1/20/1961 | See Source »

...data: has hair like ginger and a temper to match. Remarks: Jock loves the battalion, the battalion loves Jock, and the paughty people who see this picture will love him too. because Jock Sinclair is one of the most lifelike creatures that ever sprang full-snooted from the jovial brow of Sir Alec Guinness...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 26, 1960 | 12/26/1960 | See Source »

...idea of "controlled improvisation" to free classical music from its "slavery to the printed note" first occurred to Composer Foss while listening to the high-brow jazz of the Modern Jazz Quartet three years ago. Foss invited a group of classical players-all former composition students of his at U.C.L.A.-to get together and improvise freely in a classical counterpart to the jazz manner. They soon had to give up that approach: "We just daydreamed; we didn't make music." What he was looking for, Foss realized, was a group improvisation in which every player would in some...

Author: /time Magazine | Title: Music: Classical Hipsters | 10/24/1960 | See Source »

...front pages of the country's various (if not varied) newspapers have for some time seemed strange, with photographs showing unfamiliar men peering out from behind desks at the United Nations. But if something seemed to be missing, the time for reassurance has arrived; Charlie Van Doren's sweating brow is back in its old spot on page...

Author: NO WRITER ATTRIBUTED | Title: Double Jeopardy | 10/19/1960 | See Source »

Running the Gamut. That gloomy forecast deserved attention if only because "Sirius" is the nom de plume of Hubert Beuve-Méry-the editor of France's most respected daily. Beuve-Méry, 58, a grave, greying man with a permanently skeptical arch to his brow, has modeled Le Monde after his own image. Like its editor, Le Monde is more conservative than Catholic, more trenchant than traditional, more republican than radical, more pro-French than anti-American, more non-Communist than antiCommunist. At a time when much of the French press ranges from sycophantic toward...

Author: /time Magazine | Title: The Press: The Measure of Conscience | 10/10/1960 | See Source »

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