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...THAT songwriter Elton John will follow the success of The Lion King [Pop Music, March 13] by writing music for a new version of Aida. Maybe now we'll see updates of Carmen, Don Giovanni and Lohengrin, or even new rap versions of Hamlet and King Lear! John E. Brow Chicago Richard Corliss's frank portrayal of John's bad times' being eclipsed by his new, improved, better times was, I hope, the start of the media's casting a more respectful eye toward this funny, brave, phenomenal performer. Leslie Ludwig Cheshire, Connecticut
...about once every ten pages, between the beer going down and the macadamia nuts coming back up, emerges a voice worth listening to. Out of a mind cluttered with pop culture icons and high brow trivia--James Dean, Lucky Charms, Cezanne--come the big big modern philosophical questions, refurbished with Nelson's own pessimistic twang. "Who the fuck am I?" he asks...
Lieut. General Alexander Lebed was once an amateur boxer, and one might pity the opponents who succeeded in hitting him, for his head, with its ridgelike brow and thick, snubbed nose, looks literally, physically hard, almost as if the skin and hair covered marble. Lebed's loud, deep voice also projects extraordinary strength--he can speak in thunderclaps. But when he was interviewed recently in Tiraspol by TIME Moscow bureau chief John Kohan and reporter Yuri Zarakhovich, Lebed's manner was calm even as he denounced the ``windbags'' running the Russian army, proclaimed that the crackdown on Chechnya must have...
What the maestros heard was a simply gorgeous voice, well-produced, even and lively from top to bottom -- what Solti called "one of the great talents of the last 10 years." The man was a mountain, 6 ft. 3 in., broad-shouldered, barrel-chested, with a clear, open brow and merry eyes. He had easy poise and generous presence onstage. His calendar filled up fast (he now has no openings until...
Like the best movie actors, Hanks is a superb reactor. His theater-trained voice often breaks into gentlemanly whining. His fretful brow expresses perplexity -- a thoughtful "Huh?" And then, in the subtlest shift, comic exasperation plummets into agony. Hanks justified his Philadelphia Oscar in one early scene outside Denzel Washington's law office. With no more than a long, longing look, he registers the despair of a dying man who feels utterly bereft, unheard, dismissed. This lovely little revelation has an antecedent in Big, when the overgrown kid sits alone in a creepy hotel room and ponders his dreadful solitude...