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...ambiguously tragic denouement. The suspense of this handsome sequel derives largely from anxiety about the form in which he will be rediscovered and from the question of whether he can be restored to something like his familiar dimensions. What if he comes back with rounded earlobes or a beetling brow...

Author: /time Magazine | Title: Cinema: Space Opera | 6/11/1984 | See Source »

...describes as "throw-'em-across-the-room puppetry." The most complicated gremlin had 60 cables operated by a dozen technicians standing 8 ft. to 10 ft. away; "super-faces" were designed for Gizmo and his gremlin archrival Stripe, with some 36 cables that controlled character movement of eyes, brow, mouth and nostrils...

Author: /time Magazine | Title: Cinema: Creature Comforts and Discomforts | 6/4/1984 | See Source »

...talks with him went on to the end of a gray and overcast afternoon. At the time, Gromyko was 72. At the beginning of the meeting, he had seemed fit and younger than his years, but at the end he looked aged and tired, and wiped his brow with his bare hand in apparent fatigue and relief. Perhaps he was glad that nothing worse had been said about Poland. He may also have realized that when he and I met again, the subject in all its danger for the world and shame for the Soviet Union would...

Author: /time Magazine | Title: Alexander Haig | 4/9/1984 | See Source »

...despite one of the opening scenes in which a real live bear rides a motorcycle in circles round a high brow garden party, despite the beautiful surrealistic cinematography in which the New England landscapes are made to look like Maxfield Parrish illustrations, despite some truly good performances (Foster is one of the more forthright and appealing young actresses around) the movie falls as flat as stale champagne...

Author: By Mary F. Cliff, | Title: Srange Preppies | 3/13/1984 | See Source »

...prominent literary figtures as V.S. Naipaul, John Updike '54, and Joseph Epstein. Epstein's article on the status of intellectuals in America. "The Rise of the Verbal Class," was a perfect example of the sharp-eyed, reflective, faintly self-indulgent prose which is the pride of the American middle-brow magazine...

Author: By Theodore P. Friend, | Title: HARPER'S: Not So Bizarre | 3/3/1984 | See Source »

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