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Orson scratched his brow and then held his chin...

Author: By Mike Bass, | Title: To Tell the Truth | 2/12/1981 | See Source »

...know...yet," replies the husband, his brow furrowed...

Author: By Jeffrey R. Toobin, | Title: Cinematic Regression | 1/14/1981 | See Source »

...Chayefsky's failings pale in comparison with those of Russell, who has become the high-brow equivalent of Peter Bogdanovich, a professional--yet always employed--failure. In his last effort, he heaped so much simpleminded Significance on top of Tommy that he destroyed a quality score. With States, he takes an already overwrought script and ladles enough technical mumbo-jumbo onto it to make the film almost unwatchable at times...

Author: By Jeffrey R. Toobin, | Title: Cinematic Regression | 1/14/1981 | See Source »

...house-of-mirrors world ruled by a manic, eloquent, grandly eccentric genius, a kind of prankish, omnipotent deity. But this is not enough for Rush. In its jumbled hyperactive way The Stunt Man is part corny romantic comedy, part whoop-it-up action exploitation flick, and high-brow, somewhat pretentious anti-war statement (circa Vietnam) and quickie-metaphysical study of Paranoia, Art, and the old Illusion/Reality enigma. The Stunt Man's got it all, even those big, capitalized questions of Significance, which flutter like damp fortune-cookie slogans blowing around in the whirl wind of the movie's frenetic action...

Author: By F. MARK Muro, | Title: A Celluloid Magic Show | 10/30/1980 | See Source »

...most striking feature about him was his enormous head. From the brow there projected a huge bony mass like a loaf, while from the back of the head hung a bag of spongy fungus-looking skin, the surface of which was comparable to brown cauliflower. . . From the upper jaw there projected another mass of bone. It protruded from the mouth like a pink stump, turning the upper lip inside out and making of the mouth a mere slobbering aperture . . . The back was horrible, because from it hung, as far down as the middle of the thigh, huge, sack-like masses...

Author: /time Magazine | Title: Cinema: Sweet Ogre | 10/6/1980 | See Source »

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