Word: browned
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Dates: during 1940-1949
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Allen, William Augusts '50, Birdsall Paul Crew '50, Bezasuson, Richard Buel '50, Clark, Sydney Proctor, Jr. '51, Coburn, Frederick Rhodes '51, Davidson. Paul Lane '50, Davis. Wilbur Micheal '50, Estin, Hans Howard '49, Forsyth, Robert Bruce '49 (Captain), Graham. William George Brown '51. Gregg, Charles Nelson, Jr. '48. Hansen, Richard Brydon '51. Hudner, Richard Reilly '51, Kegg. William Boyd, Jr. '49, Lange, Robert Brookings '49, Mauran, Duncan Hunter '50, Page, Donald Smith '46 ocC, Plissner, William Alan '51, Pest, Richard St. Francis '51, Soule, Lewis Franklin '49. Warning, Bayard David '51, Watera, William Dennis '49 (Manager...
...when Stryker, bobbing around the court, kept getting between him and the witness. He bristled when Stryker gave his arm a jovial pat. Once he spoiled Stryker's melodramatic reading of some evidence by pleading in his heavy voice, "Oh, please, Mr. Stryker, read it straight." His thick, brown mustache worked, he sighed with rage when little Judge Kaufman time & again overruled his objections, sustained many of Stryker...
...John D. Rockefeller Jr., Brown '97, gave $5,000,000 to Harvard for a new Business School classroom building with a string attached: other donors must match his gift by July 1950. ¶ The Old Dominion Foundation (set up by Paul Mellon, Yale '29) gave Yale University and Vassar College $2,000,000 each to finance psychiatric studies...
...paintings on exhibition, only four were attributed directly to Leonardo. The rest, wavering between chill sentimentality and brown gloom, either anticipated or copied the Master's favorite tricks: chiaroscuro (strong contrasts of mingled light and shadow), sfumato (blurring of outlines to suggest space), geometrically involved compositions and ambiguous half-smiles...
Sins of Imagination. White-robed, ascetic-looking Father Couturier, 51, his tonsure sharply outlined against his close-cropped head, his brown eyes bright with his own soaring imagination, has become the light and power of a small but significant movement among French artists. From the first, his primary concern has been to preach and minister to men. But in his spare time he has devoted his energies tirelessly to visiting the studios of artists everywhere and telling them that the Church is where their work belongs. In addition he founded, twelve years ago, the little magazine L'Art Sacr...