Word: brownings
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Dates: during 1930-1939
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Walt Disney wears the Hollywood uniform: lounge coats, open-throated shirts, fancy sweaters. His thick, dark brown hair, which dips to a widow's peak slightly less emphatic than Robert Taylor's, has a long top lock which Disney wraps around his finger while he talks. At a loss for words, he often resorts to pantomime. He works until six or seven o'clock every night, in busy times works round the clock. He drives his Packard roadster home to dinner, plays with his baby daughters, Diane Marie and Sharon Mae, and goes to bed. Hollywood hotspots...
...Club in suburban Maplewood, N. J. fell to talking about this problem, a great worry to many a U. S. mother who has observed the intense preoccupation of U. S. moppets with the cheap and sensational entertainment provided for them by films, newspaper strips and particularly the radio. Said brown-haired, brown-eyed Mrs. Dorothy L. McFadden, mother of James & Jean and wife of James L. McFadden, export consultant and amateur sketcher: ''Why can't we produce decent entertainment ourselves?" The answer was a series of children's programs (music, marionets, etc.) given by Manhattan professionals...
...Prima Donna Elsa Terry (Grace Moore) from Manhattan to the Argentine, to fulfill an engagement in Buenos Aires. Her faded diva aunt (Helen Westley) insists that she go to Paris instead. Up from the pampas come Emissary James Guthrie (Melvyn Douglas) and his stooge, "Pancho" Brown (Stuart Erwin), who lay siege to Elsa with flowers, gifts, attentions. When Elsa discovers what seems to be a ring of cold business in Guthrie's honeydew phrases. the plot bears to the left, but the clairvoyant audience knows it will come right again...
Once a year U. S. males usually buy a suit (brown, grey or blue), a pair of shoes (brown or black), and a hat (brown or grey). Their typical order is, "Just like the one I got on." So by and large go Fashions...
Finally, at least two courses in playwrighting must be added to the Department of English if those men who are interested in the creative aspect of the drama are not to continue neglected by University Hall. Harvard alumni, outstanding in the world of the theatre, such as John Mason Brown or Brooks Atkinson might well be lured back to benefit Harvard with their teachings. The idea is not entirely impractical, either, since Mr. Brown gave a course in playwrighting during the summer session last year. If the present rules regarding the number of composition courses a man may take were...