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...House of Representatives last Wednesday was part theater, part courtroom and part confessional. As his wife Betty wept in the visitors' gallery, Speaker Jim Wright played defense attorney, arguing away each charge against him; thespian, wiping his brow and lowering his voice to a whisper; and penitent: "Are there things I would do differently? Oh, boy." As the minutes ticked away -- Wright took more than an hour -- some began to wonder whether he was giving a resignation speech or making another plea for forgiveness. Finally the words that had caught in his throat for so long passed his lips...

Author: /time Magazine | Title: Have We Gone Too Far? | 6/12/1989 | See Source »

...between most senior faculty and students and the importance of graduate students in teaching courses means that any learning usually takes place through diffusion rather than symbiosis. And the generous graduation requirements of many departments means almost anyone can coast through Harvard without having to feel sweat on his brow...

Author: By John C. Yoo, | Title: What Education? | 6/8/1989 | See Source »

...first thing that Broder and the other high-brow members of the Washington elite overlook when they condemn talk radio is the fact that there really are many informative programs out there. Just last week, Yale professor Paul Kennedy could be heard pushing his book, The Rise and Fall of Great Powers, on three different talk-radio programs...

Author: By Seth A. Gitell, | Title: Talking About Talk Radio | 2/23/1989 | See Source »

...chapter entitled, "Order, Hierarchy and Culture," Levine argues that the ideas of "high-brow" and "low-brow" came out of a complicated mesh of modern changes: immigration, and the culturally isolated communities of the "hyphenated-Americans"; the rise of a corporate culture, which linked art appreciation to social status; and changing attitudes toward etiquette and art, which severely restricted the behavior of the audience in "high" artistic shows, and insisted that Shakespeare could share the stage with no other production...

Author: By Noam S. Cohen, | Title: A Time When Popular Culture Included the Fine Arts | 2/6/1989 | See Source »

...imperialism of American culture. If there is a pitfall in this strategy, it is that American actors are defter at explosions than at epigrams. They are not trained, as the English are, to coil themselves in hauteur. So at times Malkovich plays the evil dandy too diligently; on his brow you can almost see the fop sweat. Then gradually he learns to trust the intimacy of Frears' close-up camera style. The lizard eyes crease with desire; tiny curlicues of smirk rise from the corners of his mouth; the wispy voice locates the moral malaise at the heart of Valmont...

Author: /time Magazine | Title: Cinema: Lust Is a Thing with Feathers | 1/16/1989 | See Source »

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